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Table of Contents

  1. Editor’s Note
  2. Christopher Keep
  3. pp. v-vi
  4. DOI: https://doi.org/10.1353/vcr.2018.0000
  5. restricted access
  1. Commemoration by Committee: The National Wallace Monument
  2. Ann Rigney
  3. pp. 1-5
  4. DOI: https://doi.org/10.1353/vcr.2018.0001
  5. restricted access
  1. “The Pleasantest Object in Christchurch”: Thomas Woolner’s Statue of John Robert Godley
  2. Mark Stocker
  3. pp. 5-12
  4. DOI: https://doi.org/10.1353/vcr.2018.0002
  5. restricted access
  1. A Masterwork of a Great British Sculptor: The Titanic Memorial in Belfast
  2. James Stevens Curl
  3. pp. 12-16
  4. DOI: https://doi.org/10.1353/vcr.2018.0003
  5. restricted access
  1. Ornament and Purity: Macfarlane’s Drinking Fountains
  2. Paul Dobraszczyk
  3. pp. 17-20
  4. DOI: https://doi.org/10.1353/vcr.2018.0004
  5. restricted access
  1. Lost and Found: Priestley & Dunbar’s 1907 Statue of Queen Victoria
  2. Mary Ann Steggles
  3. pp. 21-24
  4. DOI: https://doi.org/10.1353/vcr.2018.0005
  5. restricted access
  1. Medievalism in the Metropolis: The Saint Mungo Memorial, Glasgow Art Gallery and Museum
  2. Katherine Faulkner
  3. pp. 24-29
  4. DOI: https://doi.org/10.1353/vcr.2018.0006
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  1. Introduction: Trans Victorians
  2. Ardel Haefele-Thomas
  3. pp. 31-36
  4. DOI: https://doi.org/10.1353/vcr.2018.0007
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  1. A Case for a Trans Studies Turn in Victorian Studies: “Female Husbands” of the Nineteenth Century
  2. Lisa Hager
  3. pp. 37-54
  4. DOI: https://doi.org/10.1353/vcr.2018.0008
  5. restricted access
  1. Clemence Housman’s The Were-Wolf: Querying Transgression, Seeking Trans/Formation
  2. Lorraine Janzen Kooistra
  3. pp. 55-67
  4. DOI: https://doi.org/10.1353/vcr.2018.0009
  5. restricted access
  1. Emerging Transgothic Ecologies in H. Rider Haggard’s She
  2. Gregory Luke Chwala
  3. pp. 69-81
  4. DOI: https://doi.org/10.1353/vcr.2018.0010
  5. restricted access
  1. Two Women Walk into a Theatre Bathroom: The Fanny and Stella Trials as Trans Narrative
  2. Simon Joyce
  3. pp. 83-98
  4. DOI: https://doi.org/10.1353/vcr.2018.0011
  5. restricted access
  1. “A Strange and Startling Creature” Transgender Possibilities in Wilkie Collins’s The Law and the Lady
  2. Jolene Zigarovich
  3. pp. 99-111
  4. DOI: https://doi.org/10.1353/vcr.2018.0012
  5. restricted access
  1. Victorian Gender Fluidity: Performativity and Reception in A Florida Enchantment and Gabriel
  2. Kara Raphaeli
  3. pp. 131-146
  4. DOI: https://doi.org/10.1353/vcr.2018.0014
  5. restricted access
  1. The Age of Analogy: Science and Literature between the Darwins by Devin Griffiths (review)
  2. Anna Henchman
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/vcr.2018.0015
  5. restricted access
  1. Victorian Pain by Rachel Ablow (review)
  2. Fraser Riddell
  3. pp. 149-150
  4. DOI: https://doi.org/10.1353/vcr.2018.0016
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  1. Making Oscar Wilde by Michèle Mendelssohn (review)
  2. John G. Peters
  3. pp. 150-151
  4. DOI: https://doi.org/10.1353/vcr.2018.0017
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  1. Tact: Aesthetic Liberalism and the Essay Form in Nineteenth-Century Britain by David Russell (review)
  2. Ann Gagné
  3. pp. 152-153
  4. DOI: https://doi.org/10.1353/vcr.2018.0018
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  1. Populating the Novel: Literary Form and the Politics of Surplus Life by Emily Steinlight (review)
  2. Daniel Stuart
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/vcr.2018.0019
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  1. Contributors
  2. pp. 157-161
  3. DOI: https://doi.org/10.1353/vcr.2018.0020
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