1. The Enduring Appeal of the Commons
  2. Dana D. Nelson
  3. pp. 1-21
  4. DOI: 10.1353/arq.2019.0009
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  1. From the Industrial Unconscious to the Cinematic to the Televisual to the Networked
  2. Alan Nadel
  3. pp. 23-36
  4. DOI: 10.1353/arq.2019.0010
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  1. Photography, Unconscious Optics, and Observation in Capote’s In Cold Blood
  2. Naomi Miyazawa
  3. pp. 37-54
  4. DOI: 10.1353/arq.2019.0011
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  1. “Onward and Inward!”: Through the Fecological Body with Twain and Chappell
  2. Garth Sabo
  3. pp. 55-76
  4. DOI: 10.1353/arq.2019.0006
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  1. Contributors
  2. p. 107
  3. DOI: 10.1353/arq.2019.0008
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