1. Christopher Beeston and the Cockpit-Phoenix in Documents
  2. Eva Griffith
  3. pp. 1-23
  4. DOI: 10.1353/shb.2019.0000
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  1. The Queen and the Cockpit: Henrietta Maria's Theatrical Patronage Revisited
  2. Lucy Munro
  3. pp. 25-45
  4. DOI: 10.1353/shb.2019.0001
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  1. Why was The Knight of the Burning Pestle Revived?
  2. Eoin Price
  3. pp. 47-66
  4. DOI: 10.1353/shb.2019.0002
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  1. The Drury Lane Cockpit at War, 1646–49
  2. Christopher Matusiak
  3. pp. 67-87
  4. DOI: 10.1353/shb.2019.0003
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  1. The Protectorate Playhouse: William Davenant's Cockpit in the 1650s
  2. Stephen Watkins
  3. pp. 89-109
  4. DOI: 10.1353/shb.2019.0004
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  1. Coriolanus by the Stratford Festival (review)
  2. Manuel Antonio Jacquez
  3. pp. 111-115
  4. DOI: 10.1353/shb.2019.0005
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  1. Tamburlaine by The Royal Shakespeare Company (review)
  2. Pascale Aebischer
  3. pp. 115-119
  4. DOI: 10.1353/shb.2019.0006
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  1. All's Well That Ends Well by the Great River Shakespeare Festival (review)
  2. Justin B. Hopkins
  3. pp. 119-123
  4. DOI: 10.1353/shb.2019.0007
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  1. Sapho and Phao by the RSC Next Generation Company (review)
  2. Martin Higgins
  3. pp. 123-127
  4. DOI: 10.1353/shb.2019.0008
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  1. Shitfaced Shakespeare: The Merchant of Venice by Magnificent Bastard Productions (review)
  2. Kerry Lambeth
  3. pp. 127-130
  4. DOI: 10.1353/shb.2019.0009
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  1. Macbeth by the Folger Theatre (review)
  2. Michael J. Collins
  3. pp. 130-134
  4. DOI: 10.1353/shb.2019.0010
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  1. Booth's Richard III by The Hidden Room (review)
  2. R.W. Jones
  3. pp. 134-138
  4. DOI: 10.1353/shb.2019.0011
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  1. Hamlet by the Gate Theatre, Dublin. (review)
  2. Emer McHugh
  3. pp. 138-141
  4. DOI: 10.1353/shb.2019.0012
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  1. Romeo and Juliet by the Oregon Shakespeare Festival (review)
  2. Elizabeth E. Tavares
  3. pp. 141-145
  4. DOI: 10.1353/shb.2019.0013
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  1. The Duchess of Malfi by The Royal Shakespeare Company (review)
  2. Meghan C. Andrews
  3. pp. 145-150
  4. DOI: 10.1353/shb.2019.0014
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  1. Queen Margaret by the Royal Exchange Theatre (review)
  2. Hailey Bachrach
  3. pp. 150-154
  4. DOI: 10.1353/shb.2019.0015
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  1. Much Ado About Nothing by the Old Globe Theatre (review)
  2. Melissa Croteau
  3. pp. 154-158
  4. DOI: 10.1353/shb.2019.0016
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  1. Twelfth Night by The Public Theater (review)
  2. Dan Venning
  3. pp. 158-162
  4. DOI: 10.1353/shb.2019.0017
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