1. Dedication
  2. John G. Peters
  3. p. iii
  4. DOI: 10.1353/cnd.2016.0000
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  1. False Flag at Greenwich: "Bourdin's Folly," the Nicoll Pamphlet, and The Secret Agent
  2. Nic Panagopoulos
  3. pp. 1-24
  4. DOI: 10.1353/cnd.2016.0001
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  1. The Writer at Work: Hand-Drawn Maps in Conrad's Manuscripts
  2. Johan Adam Warodell
  3. pp. 25-45
  4. DOI: 10.1353/cnd.2016.0002
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  1. Nostromo: Nature, Identity, and Emotions
  2. Yoko Okuda
  3. pp. 47-63
  4. DOI: 10.1353/cnd.2016.0003
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  1. The First Serial Appearance of "The Brute"
  2. Mary Burgoyne
  3. pp. 65-75
  4. DOI: 10.1353/cnd.2016.0004
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  1. Henry Morton Stanley and Emin Pasha: New Historical Sources for Heart of Darkness
  2. Jeffrey Meyers
  3. pp. 77-82
  4. DOI: 10.1353/cnd.2016.0005
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  1. Modernist Melancholia: Freud, Conrad and Ford by Anne Enderwitz (review)
  2. Seamus O'Malley
  3. pp. 83-86
  4. DOI: 10.1353/cnd.2016.0006
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  1. Conradian Contracts: Exchange and Identity in the Immigrant Imagination by Tamas Juhasz (review)
  2. Alex McCauley
  3. pp. 86-89
  4. DOI: 10.1353/cnd.2016.0007
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  1. Free Will and Determinism in Joseph Conrad's Major Novels by Ludwig Schnauder (review)
  2. Michael John Disanto
  3. pp. 89-95
  4. DOI: 10.1353/cnd.2016.0008
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  1. Conrad, Faulkner, and the Problem of Nonsense by Maurice Ebileeni (review)
  2. Anne Luyat
  3. pp. 95-97
  4. DOI: 10.1353/cnd.2016.0009
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  1. Conrad's Narrative Voice: Stylistic Aspects of His Fiction by Werner Senn (review)
  2. Brian Richardson
  3. pp. 98-100
  4. DOI: 10.1353/cnd.2016.0010
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  1. The Selected Letters of Joseph Conrad by Joseph Conrad (review)
  2. Cedric Watts
  3. pp. 100-104
  4. DOI: 10.1353/cnd.2016.0011
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  1. Conrad's Sensational Heroines: Gender and Representation in the Late Fiction of Joseph Conrad by Ellen Burton Harrington (review)
  2. Joyce Wexler
  3. pp. 104-106
  4. DOI: 10.1353/cnd.2016.0012
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  1. Notes on Contributors
  2. pp. 107-109
  3. DOI: 10.1353/cnd.2016.0013
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