Articles

  1. Antihomosexual Acts on Trial: The Poetics of Justice in Uganda
  2. Laura Edmondson
  3. pp. 6-33
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  1. Sculpting Masculinities in 19th- and 20th-Century Physical Culture: The Practiced Life of Stanley Rothwell
  2. Broderick D.V. Chow
  3. pp. 34-56
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  1. Nuo Altar Theatre on a Liminal/Liminoid Continuum: Reflections on the Shamanic Origins of Chinese Theatre
  2. Xiaohuan Zhao
  3. pp. 57-77
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  1. Huan Nuoyuan: Exorcism and Transformation in Miao Ritual Drama
  2. Thomas Riccio
  3. pp. 78-101
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  1. Proprioception of the Hand: Stelarc’s Object-Oriented Relations
  2. Eyal Amiran
  3. pp. 102-116
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  1. Citizen Action: Political Performance after Yugoslavia
  2. Adair Rounthwaite
  3. pp. 117-137
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Student Essay Contest Winner

  1. Crude Optimism: Romanticizing Alberta’s Oil Frontier at the Calgary Stampede
  2. Kimberly Skye Richards
  3. pp. 138-154
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Critical Acts

  1. Dubbing the Dead: Der Dybbuk 1937–2017 at the Jerusalem YMCA Hall
  2. Zehavit Stern
  3. pp. 158-166
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  1. Holot Legislative Theatre: Performing Refugees in Israel
  2. Sonja Arsham Kuftinec
  3. pp. 166-172
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Books

  1. Imagined Theatres: Writing for a Theoretical Stage ed. by Daniel Sack (review)
  2. Kee-Yoon Nahm
  3. pp. 173-174
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  1. Embodied Reckonings: “Comfort Women,” Performance, and Transpacific Redress by Elizabeth W. Son (review)
  2. James McMaster
  3. pp. 175-176
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  1. Ezili’s Mirrors: Imagining Black Queer Genders by Omise’eke Natasha Tinsley (review)
  2. Amber Jamilla Musser
  3. pp. 177-178
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  1. Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora by Hershini Bhana Young (review)
  2. Sarah Lewis-Cappellari
  3. pp. 178-180
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  1. The Art of Confession: The Performance of Self from Robert Lowell to Reality TV by Christopher Grobe (review)
  2. Kimberly A. Hall
  3. pp. 180-182
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  1. András Visky’s Barrack Dramaturgy: Memories of the Body ed. by Jozefina Komporaly (review)
  2. Aniko Szucs
  3. pp. 182-184
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  1. More Books
  2. Taylor Black
  3. pp. 191-194
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TDR Continued...