In this Issue

Table of Contents

Antihomosexual Acts on Trial: The Poetics of Justice in Uganda

Laura Edmondson
pp. 6-33
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Sculpting Masculinities in 19th- and 20th-Century Physical Culture: The Practiced Life of Stanley Rothwell

Broderick D.V. Chow
pp. 34-56
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Nuo Altar Theatre on a Liminal/Liminoid Continuum: Reflections on the Shamanic Origins of Chinese Theatre

Xiaohuan Zhao
pp. 57-77
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Huan Nuoyuan: Exorcism and Transformation in Miao Ritual Drama

Thomas Riccio
pp. 78-101
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Proprioception of the Hand: Stelarc’s Object-Oriented Relations

Eyal Amiran
pp. 102-116
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Citizen Action: Political Performance after Yugoslavia

Adair Rounthwaite
pp. 117-137
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Crude Optimism: Romanticizing Alberta’s Oil Frontier at the Calgary Stampede

Kimberly Skye Richards
pp. 138-154
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Dubbing the Dead: Der Dybbuk 1937–2017 at the Jerusalem YMCA Hall

Zehavit Stern
pp. 158-166
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Holot Legislative Theatre: Performing Refugees in Israel

Sonja Arsham Kuftinec
pp. 166-172
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Imagined Theatres: Writing for a Theoretical Stage ed. by Daniel Sack (review)

Kee-Yoon Nahm
pp. 173-174
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Embodied Reckonings: “Comfort Women,” Performance, and Transpacific Redress by Elizabeth W. Son (review)

James McMaster
pp. 175-176
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Ezili’s Mirrors: Imagining Black Queer Genders by Omise’eke Natasha Tinsley (review)

Amber Jamilla Musser
pp. 177-178
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Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora by Hershini Bhana Young (review)

Sarah Lewis-Cappellari
pp. 178-180
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The Art of Confession: The Performance of Self from Robert Lowell to Reality TV by Christopher Grobe (review)

Kimberly A. Hall
pp. 180-182
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András Visky’s Barrack Dramaturgy: Memories of the Body ed. by Jozefina Komporaly (review)

Aniko Szucs
pp. 182-184
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10,000 Nights: Highlights from 50 Years of Theatre-Going by Marvin Carlson, and: Ellen Stewart Presents: Fifty Years of La MaMa Experimental Theatre by Cindy Rosenthal (review)

Mike Sell
pp. 184-187
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Archive Everything: Mapping the Everyday by Gabriella Giannachi, and: Documenting Performance: The Context and Processes of Digital Curation and Archiving ed. by Toni Sant, and: Rogue Archives: Digital Cultural Memory and Media Fandom by Abigail De Kosnik (review)

Christina Yang
pp. 187-191
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More Books

Taylor Black
pp. 191-194
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Uneasy Reckonings: A Response to “The Theorist and the Theorized: Indigenous Critiques of Performance Studies” by Stephanie Nohelani Teves (TDR 62:4 T240)

Sharon Mazer
pp. 195-199
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