1. Nótaí/Notes: Music and Ireland
  2. Verena Commins, Méabh Ní Fhuartháin
  3. pp. 10-16
  4. DOI: 10.1353/eir.2019.0000
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  1. The Album and the Musical Work in Irish Folk and Traditional Music, ca. 1955–70
  2. Adrian Scahill
  3. pp. 17-45
  4. DOI: 10.1353/eir.2019.0005
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  1. Myth, Meaning, and Modernity: Printed Record Sleeves and Visual Representation of Irish Music, 1958–86
  2. Niall McCormack, Ciarán Swan
  3. pp. 46-81
  4. DOI: 10.1353/eir.2019.0006
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  1. Crossroads of Art and Design: Musically Curating and Mediating Irish Cultural Artifacts in Chicago
  2. Aileen Dillane
  3. pp. 82-109
  4. DOI: 10.1353/eir.2019.0004
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  1. Thomas Davis, the Arts, and Music: A Reassessment
  2. Barra Ó Seaghdha
  3. pp. 110-136
  4. DOI: 10.1353/eir.2019.0007
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  1. Challenging History's Memory: C. V. Stanford and the Feis Ceoil
  2. Adèle Commins
  3. pp. 137-159
  4. DOI: 10.1353/eir.2019.0008
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  1. Oireachtas na Gaeilge and Sean-Nós Song Competition, 1940–2012: Regionalism, Nationalism, and Gaelicness
  2. Éamonn Costello
  3. pp. 160-187
  4. DOI: 10.1353/eir.2019.0002
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  1. (Re)Interpreting Fieldwork: Jos Koning in East Clare
  2. Helen Shea
  3. pp. 188-217
  4. DOI: 10.1353/eir.2019.0003
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  1. Parish Halls, Dance Halls, and Marquees: Developing and Regulating Social-Dance Spaces, 1900–60
  2. Méabh Ní Fhuartháin
  3. pp. 218-250
  4. DOI: 10.1353/eir.2019.0009
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  1. Pedestrian Performances: Busking, Cosmopolitanism, and Ireland
  2. Adam Kaul
  3. pp. 251-274
  4. DOI: 10.1353/eir.2019.0010
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  1. From Milan to Kilbaha: Bronzing Irish Traditional Music
  2. Verena Commins
  3. pp. 275-296
  4. DOI: 10.1353/eir.2019.0011
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  1. Contributors
  2. pp. 297-300
  3. DOI: 10.1353/eir.2019.0001
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