In this Issue

Table of Contents

Nótaí/Notes: Music and Ireland

Verena Commins, Méabh Ní Fhuartháin
pp. 10-16
DOI: https://doi.org/10.1353/eir.2019.0000
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The Album and the Musical Work in Irish Folk and Traditional Music, ca. 1955–70

Adrian Scahill
pp. 17-45
DOI: https://doi.org/10.1353/eir.2019.0005
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Myth, Meaning, and Modernity: Printed Record Sleeves and Visual Representation of Irish Music, 1958–86

Niall McCormack, Ciarán Swan
pp. 46-81
DOI: https://doi.org/10.1353/eir.2019.0006
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Crossroads of Art and Design: Musically Curating and Mediating Irish Cultural Artifacts in Chicago

Aileen Dillane
pp. 82-109
DOI: https://doi.org/10.1353/eir.2019.0004
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Thomas Davis, the Arts, and Music: A Reassessment

Barra Ó Seaghdha
pp. 110-136
DOI: https://doi.org/10.1353/eir.2019.0007
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Challenging History's Memory: C. V. Stanford and the Feis Ceoil

Adèle Commins
pp. 137-159
DOI: https://doi.org/10.1353/eir.2019.0008
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Oireachtas na Gaeilge and Sean-Nós Song Competition, 1940–2012: Regionalism, Nationalism, and Gaelicness

Éamonn Costello
pp. 160-187
DOI: https://doi.org/10.1353/eir.2019.0002
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(Re)Interpreting Fieldwork: Jos Koning in East Clare

Helen O'Shea
pp. 188-217
DOI: https://doi.org/10.1353/eir.2019.0003
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Parish Halls, Dance Halls, and Marquees: Developing and Regulating Social-Dance Spaces, 1900–60

Méabh Ní Fhuartháin
pp. 218-250
DOI: https://doi.org/10.1353/eir.2019.0009
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Pedestrian Performances: Busking, Cosmopolitanism, and Ireland

Adam Kaul
pp. 251-274
DOI: https://doi.org/10.1353/eir.2019.0010
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From Milan to Kilbaha: Bronzing Irish Traditional Music

Verena Commins
pp. 275-296
DOI: https://doi.org/10.1353/eir.2019.0011
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Contributors

pp. 297-300
DOI: https://doi.org/10.1353/eir.2019.0001
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