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Table of Contents

  1. Editor's Notes
  3. pp. 1-2
  4. restricted access
  1. Strictly a Laughing Matter?: The Significance of the Blaxploitation Movement and Black Dynamite as Parody
  2. Novotny Lawrence
  3. pp. 7-35
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.03
  5. restricted access
  1. Re-Reading Birth of a Nation: European Contexts and the War Film
  2. Jonathan Wright
  3. pp. 36-51
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.04
  5. restricted access
  1. Introduction: A Scene of New Worlds
  2. Nicholas Forster, Michele Prettyman
  3. pp. 52-68
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.05
  5. restricted access
  1. Controlling the World Within the Frame: Julie Dash and Ayoka Chenzira Reflect on New York and Filmmaking
  2. Michele Prettyman
  3. pp. 69-79
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.06
  5. restricted access
  1. Art on Her Mind: The Making of Kathleen Collins's Cinema of Interiority
  2. Hayley O'Malley
  3. pp. 80-103
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.07
  5. restricted access
  1. Witnessing One Transformation, Charting Another: The Various Lives of Paul Carter Harrison
  2. Nicholas Forster
  3. pp. 104-111
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.08
  5. restricted access
  1. VAMP 94 (from: Don't Woke Him, Let Him Slept: A Vamp on the American Wet Dream)
  2. Paul Carter Harrison
  3. pp. 112-117
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.09
  5. restricted access
  1. Talent X Relationships / Knowledge: An Interview with Roy Campanella II
  2. Nicholas Forster
  3. pp. 118-135
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.10
  5. restricted access
  1. On Becoming Me: 1980s NYC Arts and Culture Through a Queer Lens
  2. Thomas Allen Harris
  3. pp. 136-147
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.11
  5. restricted access
  1. Capture and Release: Curating and Exhibiting the East Coast Independent Black Film Movement, 1968–1992
  2. Michelle Materre
  3. pp. 149-158
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.12
  5. restricted access
  1. Introduction: The Film and History of Selma, Alabama, 1965
  2. Lamont H. Yeakey
  3. pp. 159-183
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.13
  5. restricted access
  1. Seen and Heard: Negotiating the Black Female Ethos in Selma
  2. David G. Holmes
  3. pp. 184-194
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.14
  5. restricted access
  1. The Historical Record and the American Imaginary: Adapting History in Selma
  2. Delphine Letort
  3. pp. 195-210
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.15
  5. restricted access
  1. Illuminating Shadowed Histories: Centering Black Women's Activism in Selma
  2. Danyelle Greene
  3. pp. 211-225
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.16
  5. restricted access
  1. African Cinema of the 2010s
  2. Olivier Barlet, Chloe Farrell
  3. pp. 226-249
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.17
  5. restricted access
  1. Safi Faye's Mossane: A Song to Women, to Beauty, to Africa
  2. Beti Ellerson
  3. pp. 250-265
  4. DOI: https://doi.org/10.2979/blackcamera.10.2.18
  5. restricted access
  1. Jazz and Cocktails: Rethinking Race and the Sound of Film Noir by Jans B. Wager (review)
  2. Jon Gudmundson
  3. pp. 266-268
  4. restricted access
  1. Professional Notes and Research Sources
  3. pp. 269-273
  4. restricted access