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Table of Contents

  1. Editor's Note
  2. Young-Jun Lee
  3. pp. 7-9
  4. DOI: https://doi.org/10.1353/aza.2019.0000
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  1. Introduction
  2. Bruce, Ju-Chan Fulton
  3. pp. 11-13
  4. DOI: https://doi.org/10.1353/aza.2019.0001
  5. restricted access
  1. The Mailman, Olivia Hussey, and Robert Redford
  2. Kim Kyung-uk, Bruce, Ju-Chan Fulton
  3. pp. 15-27
  4. DOI: https://doi.org/10.1353/aza.2019.0002
  5. restricted access
  1. Heaven's Door
  2. Kim Kyung-uk, Soomin Yoo
  3. pp. 29-56
  4. DOI: https://doi.org/10.1353/aza.2019.0003
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  1. Mirror and Window
  2. Kim Kyung-uk
  3. pp. 57-59
  4. DOI: https://doi.org/10.1353/aza.2019.0004
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  1. Excerpt from Man in the Mirror
  2. Kim Kyung-uk, Bruce, Ju-Chan Fulton
  3. pp. 61-72
  4. DOI: https://doi.org/10.1353/aza.2019.0005
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  1. Single Mother
  2. Kong Sŏn-ok, Laura Ha Reizman
  3. pp. 73-97
  4. DOI: https://doi.org/10.1353/aza.2019.0006
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  1. Nearly
  2. Choi Jinyoung, Bonnie Tilland
  3. pp. 99-124
  4. DOI: https://doi.org/10.1353/aza.2019.0007
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  1. The Culture of Learning and the Poetics of the Uncanny: An Introduction to Poems by Kim Chŏng-hŭi
  2. Hyong Rhew
  3. pp. 127-130
  4. DOI: https://doi.org/10.1353/aza.2019.0008
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  1. Censuring Snoes, and: Herrings, and: Flies, and: A Lamentation for My Wife, from Afar in Banishment, and: A Rustic Hamlet, and: On Behalf of Monk Grass-Coat, I Respond to "Buddha's Birthday Should Be the Eigth of the Second Moon, and: Presented Playfully to Mr. Oh, Beseeching Him Not to Leave in the Rain, and: A Poem Playfully Presented to Cho Kong-NYE, and: Seeing Off the Magistrate of Chik-san District, and: To Show Monk Grass-Coat after Silvery Fish Were Stolen by Rats, and: Presented to Monk Grass-Coat
  2. Kim Chŏng-hŭi
  3. pp. 131-148
  4. DOI: https://doi.org/10.1353/aza.2019.0009
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  1. Forever Summer
  2. Jeong Yi Hyun, Ahram Park, Jonathan Adams
  3. pp. 149-169
  4. DOI: https://doi.org/10.1353/aza.2019.0010
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  1. Koo Bohnchang
  3. pp. 170-182
  4. DOI: https://doi.org/10.1353/aza.2019.0021
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  1. The Chef's Nail
  2. Yun Ko-Eun, Sean Lin Halbert
  3. pp. 183-211
  4. DOI: https://doi.org/10.1353/aza.2019.0011
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  1. Sister, My Little Soonae
  2. Choi Eunyoung, Sung Ryu
  3. pp. 213-233
  4. DOI: https://doi.org/10.1353/aza.2019.0012
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  1. The Politics of Passing in Zainichi Cultural Production
  2. Christina Yi, Jonathan Glade
  3. pp. 235-256
  4. DOI: https://doi.org/10.1353/aza.2019.0013
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  1. The Passing Perils of Korean Hunting: Zainichi Literature Remembers the Kantō Earthquake Korean Massacres
  2. Andre Haag
  3. pp. 257-299
  4. DOI: https://doi.org/10.1353/aza.2019.0014
  5. restricted access
  1. Literature of the Concealed Home: Passing and Imperial Periphery in Yamanokuchi Baku's Prose Fiction
  2. Cindi Textor
  3. pp. 301-333
  4. DOI: https://doi.org/10.1353/aza.2019.0015
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  1. Questioning Authenticity: On the Documentary Film Reclaiming Our Names
  2. So Hye Kim
  3. pp. 335-363
  4. DOI: https://doi.org/10.1353/aza.2019.0016
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  1. The Minority Machine: Alterity and Excess in the Films of Sai Yōichi
  2. Nathaniel Heneghan
  3. pp. 365-389
  4. DOI: https://doi.org/10.1353/aza.2019.0017
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  1. Body as Battlefield
  2. Nobuko Ishitate-Oku(no)miya Yamasaki
  3. pp. 391-414
  4. DOI: https://doi.org/10.1353/aza.2019.0018
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  1. Introduction to Chong Ch'u-wŏl's "Ningo"
  2. Catherine Ryu
  3. pp. 415-423
  4. DOI: https://doi.org/10.1353/aza.2019.0019
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  1. A/pple (Ningo)
  2. Chong Ch'u-wŏl, Catherine Ryu
  3. pp. 425-426
  4. DOI: https://doi.org/10.1353/aza.2019.0020
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  1. Image Index
  3. pp. 427-429
  4. DOI: https://doi.org/10.1353/aza.2019.0022
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  1. Notes on Contributors
  3. pp. 430-435
  4. DOI: https://doi.org/10.1353/aza.2019.0023
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