In this Issue
Music & Letters is a leading international journal of musical scholarship, publishing articles on topics ranging from antiquity to the present day and embracing musics from classical, popular, and world traditions. Since its foundation in the 1920s, Music & Letters has especially encouraged fruitful dialogue between musicology and other disciplines. It is renowned for its long and lively reviews sections, the most comprehensive and thought-provoking in any musicological journal.
published by
Oxford University Pressviewing issue
Volume 99, Number 4, November 2018Table of Contents
pp. 511-550
pp. 604-634
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View From Nationalism to Transnationalism: Ferruccio Busoni, the Liceo musicale di Bologna, and 'Arlecchino'
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From Nationalism to Transnationalism: Ferruccio Busoni, the Liceo musicale di Bologna, and 'Arlecchino'
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The Mass 'Transubstantiated' into Music: Quotation and Allusion in James Macmillan's Fourth Symphony
pp. 635-671
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View The Mass 'Transubstantiated' into Music: Quotation and Allusion in James Macmillan's Fourth Symphony
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The Mass 'Transubstantiated' into Music: Quotation and Allusion in James Macmillan's Fourth Symphony
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pp. 672-674
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View Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach by Angela Mariani (review)
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Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach by Angela Mariani (review)
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pp. 674-676
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View Tears into Wine: J. S. Bach's Cantata 21 in its Musical and Theological Contexts by Eric Chafe (review)
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Tears into Wine: J. S. Bach's Cantata 21 in its Musical and Theological Contexts by Eric Chafe (review)
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pp. 676-678
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View Concertos of the Classical Viennese School, c.1780–1810, and their Scoring by Richard Maunder (review)
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Concertos of the Classical Viennese School, c.1780–1810, and their Scoring by Richard Maunder (review)
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pp. 678-681
pp. 681-683
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View Editions of Chopin's Works in the Nineteenth Century: Aspects of Reception History by Wojciech Bońkowski (review)
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Editions of Chopin's Works in the Nineteenth Century: Aspects of Reception History by Wojciech Bońkowski (review)
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pp. 683-685
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View Grand Opera Outside Paris: Opera on the Move in Nineteenth-Century Europe ed. by Jens Hesselager (review)
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Grand Opera Outside Paris: Opera on the Move in Nineteenth-Century Europe ed. by Jens Hesselager (review)
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pp. 687-689
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View Granville Bantock's Letters to William Wallace and Ernest Newman, 1893–1921 ed. by Michael Allis (review)
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Granville Bantock's Letters to William Wallace and Ernest Newman, 1893–1921 ed. by Michael Allis (review)
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pp. 689-691
pp. 693-696
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View Music in the West Country: Social and Cultural History across an English Region by Stephen Banfield (review)
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Music in the West Country: Social and Cultural History across an English Region by Stephen Banfield (review)
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pp. 696-698
pp. 701-703
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View Music's Immanent Future: The Deleuzian Turn in Music Studies ed. by Sally Macarthur, Judy Lochhead, and Jennifer Shaw (review)
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Music's Immanent Future: The Deleuzian Turn in Music Studies ed. by Sally Macarthur, Judy Lochhead, and Jennifer Shaw (review)
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pp. 704-711
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View Musicians in the Making: Pathways to Creative Performance ed. by John Rink, Helena Gaunt, and Aaron Williamon, and: Distributed Creativity: Collaboration and Improvisation in Contemporary Music ed. by Eric F. Clarke and Mark Doffman, and: Music and Shape ed. by Daniel Leech-Wilkinson and Helen M. Prior, and: Global Perspectives on Orchestras: Collective Creativity and Social Agency ed. by Tina K. Ramnarine, and: Music as Creative Practice by Nicholas Cook (review)
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Musicians in the Making: Pathways to Creative Performance ed. by John Rink, Helena Gaunt, and Aaron Williamon, and: Distributed Creativity: Collaboration and Improvisation in Contemporary Music ed. by Eric F. Clarke and Mark Doffman, and: Music and Shape ed. by Daniel Leech-Wilkinson and Helen M. Prior, and: Global Perspectives on Orchestras: Collective Creativity and Social Agency ed. by Tina K. Ramnarine, and: Music as Creative Practice by Nicholas Cook (review)
- Save Musicians in the Making: Pathways to Creative Performance ed. by John Rink, Helena Gaunt, and Aaron Williamon, and: Distributed Creativity: Collaboration and Improvisation in Contemporary Music ed. by Eric F. Clarke and Mark Doffman, and: Music and Shape ed. by Daniel Leech-Wilkinson and Helen M. Prior, and: Global Perspectives on Orchestras: Collective Creativity and Social Agency ed. by Tina K. Ramnarine, and: Music as Creative Practice by Nicholas Cook (review)
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| ISSN | 1477-4631 |
|---|---|
| Print ISSN | 0027-4224 |
| Launched on MUSE | 2019-05-17 |
| Open Access | No |
