1. "Being Ready for What you Don't Know": A Conversation with Beatriz Santiago Muñoz
  2. Ren Ellis Neyra, Beatriz Santiago Muñoz
  3. pp. 1-21
  4. DOI: 10.1353/asa.2019.0009
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  1. Performing History: Swallowing and Spitting, or Drooling (Perspectives from Contemporary Japanese Performing Arts)
  2. Miki Kaneda
  3. pp. 23-28
  4. DOI: 10.1353/asa.2019.0006
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  1. Not so Authentic Kabuki: An Interview with Brooke O'Harra
  2. Brooke O'Harra, Katherine Brewer Ball
  3. pp. 29-38
  4. DOI: 10.1353/asa.2019.0010
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  1. Performing The History of A Body in Places
  2. Eiko Otake, William Johnston
  3. pp. 39-57
  4. DOI: 10.1353/asa.2019.0011
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  1. Listening Histories: Miya Masaoka in Conversation with Miki Kaneda
  2. Miya Masaoka, Miki Kaneda
  3. pp. 58-70
  4. DOI: 10.1353/asa.2019.0008
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  1. The Tenuous Body of History
  2. Thomas Looser
  3. pp. 71-74
  4. DOI: 10.1353/asa.2019.0007
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  1. Embodied Histories and Overlapping Memories in the Body
  2. Peter Eckersall
  3. pp. 74-76
  4. DOI: 10.1353/asa.2019.0002
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  1. A Response to Eiko Otake in Four Movements
  2. Tyran Grillo
  3. pp. 77-79
  4. DOI: 10.1353/asa.2019.0004
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  1. Seeing & Hearing Anew on Theater of a two-Headed Calf's Drum of the Waves of Horikawa
  2. Ellie M. Hisama
  3. pp. 79-84
  4. DOI: 10.1353/asa.2019.0005
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  1. An Aesthetics of Interruption: Stagnation and Acceleration
  2. Mieke Bal, Jeannette Christensen
  3. pp. 85-112
  4. DOI: 10.1353/asa.2019.0000
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  1. "I Love you Like Chicanos Love Morrissey": Affect, World-Making, and Latinidad
  2. Eliza Rodriguez Gibson
  3. pp. 113-138
  4. DOI: 10.1353/asa.2019.0012
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  1. The Afronaut and Retrofuturism in Africa
  2. Paul Wilson
  3. pp. 139-166
  4. DOI: 10.1353/asa.2019.0016
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  1. Between Reception and Interpretation: The Historical Practice of Ant Farm
  2. M. J. Rymsza-Pawlowska
  3. pp. 167-188
  4. DOI: 10.1353/asa.2019.0013
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  1. Aram Saroyan and the One-Word Poem
  2. Paul Stephens
  3. pp. 189-209
  4. DOI: 10.1353/asa.2019.0015
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  1. All Aboard for Ararat: Islands in Contemporary Flood Fiction
  2. Caroline Edwards
  3. pp. 211-238
  4. DOI: 10.1353/asa.2019.0003
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  1. Masculinity, Incorporated: Diagrammatic Epistemology in Chris Ware's Jimmy Corrigan
  2. Wyatt E. Sarafin
  3. pp. 239-270
  4. DOI: 10.1353/asa.2019.0014
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  1. Call for Papers: ASAP/Journal Special Issue: Humor Issue
  2. pp. 271-272
  3. DOI: 10.1353/asa.2019.0001
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