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Table of Contents

  1. Transnational Science Fiction at the End of the World: Consensus, Conflict, and the Politics of Climate Change
  2. Neil Archer
  3. pp. 1-25
  4. DOI: https://doi.org/10.1353/cj.2019.0020
  5. restricted access
  1. Torture in Word and Image: Inhuman Acts in Resnais and Pontecorvo
  2. Maria Flood
  3. pp. 26-48
  4. DOI: https://doi.org/10.1353/cj.2019.0021
  5. restricted access
  1. A Global Cinematic Experience: Cinépolis, Film Exhibition, and Luxury Branding
  2. Juan Llamas-Rodriguez
  3. pp. 49-71
  4. DOI: https://doi.org/10.1353/cj.2019.0022
  5. restricted access
  1. On the Concept of Setting: A Study of V. F. Perkins
  2. Seth Barry Watter
  3. pp. 72-92
  4. DOI: https://doi.org/10.1353/cj.2019.0023
  5. restricted access
  1. A Dark Exilic Vision of 1960s Britain: Gothic Horror and Film Noir Pervading Losey and Pinter's The Servant
  2. Christopher Weedman
  3. pp. 93-117
  4. DOI: https://doi.org/10.1353/cj.2019.0024
  5. restricted access
  1. In Translation: Paulin Soumanou Vieyra
  2. Mélissa Gélinas
  3. pp. 118-136
  4. DOI: https://doi.org/10.1353/cj.2019.0025
  5. restricted access
  1. Film and the Problem of Languages in Africa
  2. Paulin Soumanou Vieyra, Mélissa Gélinas
  3. pp. 122-125
  4. DOI: https://doi.org/10.1353/cj.2019.0039
  5. restricted access
  1. Remarks on African Cinema
  2. Haffner Pierre, Paulin Soumanou Vieyra, Mélissa Gélinas
  3. pp. 126-136
  4. DOI: https://doi.org/10.1353/cj.2019.0040
  5. restricted access
  1. In Focus: What's So Funny about Comedy and Humor Studies? Introduction
  2. Maggie Hennefeld, Annie Berke, Michael Rennett
  3. pp. 137-142
  4. DOI: https://doi.org/10.1353/cj.2019.0027
  5. restricted access
  1. Historiography and Humorlects
  2. Rob King
  3. pp. 143-148
  4. DOI: https://doi.org/10.1353/cj.2019.0028
  5. restricted access
  1. Classroom Clowning: Teaching (with) Humor in the Media Classroom
  2. Kriszta Pozsonyi, Seth Soulstein
  3. pp. 148-154
  4. DOI: https://doi.org/10.1353/cj.2019.0029
  5. restricted access
  1. On Trolling as Comedic Method
  2. Benjamin Aspray
  3. pp. 154-160
  4. DOI: https://doi.org/10.1353/cj.2019.0030
  5. restricted access
  1. The Tweet Has Two Faces: Two-Faced Humor, Black Masculinity, and RompHim
  2. Alfred L. Martin Jr.
  3. pp. 160-165
  4. DOI: https://doi.org/10.1353/cj.2019.0031
  5. restricted access
  1. Hannah Gadsby Stands Down: Feminist Comedy Studies
  2. Rebecca Krefting
  3. pp. 165-170
  4. DOI: https://doi.org/10.1353/cj.2019.0032
  5. restricted access
  1. Contributors
  3. p. 171
  4. DOI: https://doi.org/10.1353/cj.2019.0033
  5. restricted access
  1. Cinema's Bodily Illusions: Flying, Floating, and Hallucinating by Scott C. Richmond (review)
  2. Laura Isabel Serna, Adriano D'aloia
  3. pp. 172-176
  4. DOI: https://doi.org/10.1353/cj.2019.0034
  5. restricted access
  1. Specters of Slapstick and Silent Film Comediennes by Maggie Hennefeld, and: Comic Venus: Women and Comedy in American Silent Film by Kristen Anderson Wagner (review)
  2. Linda Mizejewski
  3. pp. 177-184
  4. DOI: https://doi.org/10.1353/cj.2019.0035
  5. restricted access
  1. In Search of Belonging: Latinas, Media, and Citizenship by Jillian M. Báez (review)
  2. Kristin C. Moran
  3. pp. 185-189
  4. DOI: https://doi.org/10.1353/cj.2019.0036
  5. restricted access
  1. Split Screen Nation: Moving Images of the American West and South by Susan Courtney (review)
  2. Jennifer Peterson
  3. pp. 189-193
  4. DOI: https://doi.org/10.1353/cj.2019.0037
  5. restricted access
  1. Contributors
  3. p. 193
  4. DOI: https://doi.org/10.1353/cj.2019.0041
  5. restricted access
  1. Never Done: A History of Women's Work in Media Production by Erin Hill (review)
  2. Lauren Steimer
  3. pp. 194-198
  4. DOI: https://doi.org/10.1353/cj.2019.0038
  5. restricted access
  1. Forthcoming
  3. p. 206
  4. DOI: https://doi.org/10.1353/cj.2019.0026
  5. restricted access