1. Editors' Note
  2. Katharina Pewny, Annelies Van Assche, Simon Leenknegt, Rebekah J. Kowal
  3. pp. 1-6
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  1. Artistic Work as a Practice of Translation on the Global Art Market: The Example of "African" Dancer and Choreographer Germaine Acogny
  2. Gabriele Klein
  3. pp. 8-19
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  1. Emerging Frameworks for Engaging Precarity and "Otherness" in Greek Contemporary Dance Performances
  2. Natalie Zervou
  3. pp. 20-31
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  1. Subverting Precariousness: Work, History, and Aesthetics in Contemporary Dance in Buenos Aires
  2. Juan Ignacio Vallejos
  3. pp. 32-46
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  1. Democracy's Body, Neoliberalism's Body: The Ambivalent Search for Egalitarianism Within the Contemporary Post/Modern Dance Tradition
  2. Jose L. Reynoso
  3. pp. 47-65
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  1. Projects, Precarity, and the Ontology of Dance Works
  2. Hetty Blades
  3. pp. 66-78
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  1. Having a Personal (Performance) Practice: Dance Artists' Everyday Work, Support, and Form
  2. Anne Schuh
  3. pp. 79-94
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  1. Zones of Production in Possible Worlds: Dance's Precarious Placement, an Afterword
  2. Jane C. Desmond
  3. pp. 95-101
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  1. Revolutionary Bodies: Chinese Dance and the Socialist Legacy by Emily Wilcox (review)
  2. Fangfei Miao
  3. pp. 102-105
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  1. Dancing in Blackness: A Memoir by Halifu Osumare (review)
  2. Joanna Dee Das
  3. pp. 105-107
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  1. Choreomania: Dance and Disorder by Kélina Gotman (review)
  2. Audrey Lane Ellis
  3. pp. 107-110
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  1. Consuming Dance: Choreography and Advertising by Colleen T. Dunagan (review)
  2. L. Archer Porter
  3. pp. 110-112
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  1. Books Received
  2. pp. 113-114
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