1. "Absolutely Irresponsible": Representations of Life in The Bostonians
  2. Adelais Mills
  3. pp. 91-109
  4. DOI: 10.1353/hjr.2019.0013
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  1. The Portrait of a (Trans) Narrator: Henry James's "terrible fluidity"
  2. Scarlet Luk
  3. pp. 110-124
  4. DOI: 10.1353/hjr.2019.0014
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  1. Henry James's Sensitive Surfaces: Binding and Bildung in The Princess Casamassima
  2. Brendan Whitmarsh
  3. pp. 125-136
  4. DOI: 10.1353/hjr.2019.0008
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  1. Making and Unmaking (Im)Possible Worlds: Language Games, Naming, and Necessities in "The Real Thing"
  2. Fiorenzo Iuliano
  3. pp. 137-154
  4. DOI: 10.1353/hjr.2019.0009
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  1. Henry James on the Bench
  2. Philip Horne
  3. pp. 155-174
  4. DOI: 10.1353/hjr.2019.0010
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  1. A Conspiracy, Indeed: Maria Gostrey's Double Agency in Henry James's The Ambassadors
  2. James Duban
  3. pp. 175-190
  4. DOI: 10.1353/hjr.2019.0011
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  1. The Constant Listener: Henry James and Theodora Bosanquet (an Imagined Memoir) by Susan Herron Sibbet (review)
  2. Pamela Thurschwell
  3. pp. E-8-E-10
  4. DOI: 10.1353/hjr.2019.0012
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