1. From the Editors
  2. pp. v-vii
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  1. The Voyeur in the Confessional: Reader, Hoax, and Unity of Effect in Poe's Short Fiction
  2. Andrew Dykstal
  3. pp. 3-21
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  1. "Gaze On!": The Transformations of Pygmalion and Galatea in the Poe-Osgood Affair
  2. Christa Holm Vogelius
  3. pp. 22-43
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  1. "Any Peculiar Taste or Prepossession"? Poe and the Antebellum Registers of Authorial Interpretation
  2. Adam Bradford
  3. pp. 44-73
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  1. Troubled Writer in the Marketplace: Melville's Image of Poe in Pierre
  2. Alexander Hammond
  3. pp. 74-89
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  1. Literary Politics, Partisanship, and Poe's Tales of the Grotesque and Arabesque
  2. Amy Branam Armiento
  3. pp. 90-109
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  1. The Cthulhian Face of E.A.P.
  2. John Tresch
  3. pp. E3-E17
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  1. On the Digital Mabbott Poe: "Source-Research," Text Editing, and Media History
  2. Blake Bronson-Bartlett
  3. pp. 110-135
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  1. Notes on Contributors
  2. pp. 136-137
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  1. Always Rhetoricize!: The Figure of Poe as "Good Rhetorician"
  2. Alexandra Urakova
  3. pp. E18-E21
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  1. P(oe)rochiality Pilloried?
  2. Sean Moreland
  3. pp. E22-E29
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  1. Poe's Silent Music
  2. Rebeccah Bechtold
  3. pp. E30-E33
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  1. Notes on Contributors
  2. p. E34
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