1. Editors' Note
  2. pp. v-vi
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  1. Introduction: Speculative Finance/Speculative Fiction
  2. David M. Higgins, Hugh C. O'Connell
  3. pp. 1-9
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  1. Promissory Futures: Reality and Imagination in Finance and Fiction
  2. Sherryl Vint
  3. pp. 11-36
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  1. The Realism of Speculation: Contemporary Speculative Fiction as Immanent Critique of Finance Capitalism
  2. Mathias Nilges
  3. pp. 37-59
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  1. A Glorious Mythology of Loss: Speculative Finance in Alan Moore's Jerusalem
  2. David M. Higgins
  3. pp. 61-84
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  1. The Great Dividuation
  2. Joel E. Mason, Michael Hornblow, anique yael vered
  3. pp. 85-103
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  1. Future Fluctuations: Economy, Exchange, and Subjectivity in Recent English-Language Speculative Fiction
  2. Mark Soderstrom
  3. pp. 105-127
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  1. The Novums of Fiscalmancy: Speculative Finance and Speculative Fiction in Ian McDonald's The Dervish House
  2. Hugh C. O'Connell
  3. pp. 129-154
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  1. Frank Herbert's Dune and the Financialization of Heroic Masculinity
  2. Joshua Pearson
  3. pp. 155-180
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  1. Apocalypse, Inc.: Incorporating the Environment into the Boom/Bust Cycle in Fin-de-Siècle Science Fiction
  2. Steve Asselin
  3. pp. 181-203
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  1. "Trust Me": Volatile Markets in Twilight and The Hunger Games
  2. Meghanne Flynn, Sarah Hardstaff
  3. pp. 205-227
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  1. Currencies of Control: Black Mirror, In Time, and the Monetary Policies of Dystopia
  2. Joe Conway
  3. pp. 229-253
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  1. Speculative Finance and Network Temporality in Duncan Jones's Moon and Source Code
  2. David P. Pierson
  3. pp. 255-275
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  1. Of Time Loops and Derivatives: Christopher Nolan's Interstellar and the Logic of the Futures Market
  2. Marcia Klotz
  3. pp. 277-297
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  1. Contributors
  2. pp. 299-301
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