Carolee Schneemann (1939–2019)

  1. In the Beginning is Drawing
  2. Carolee Schneemann, Bonnie Marranca, Claire MacDonald
  3. pp. 1-15
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  1. What Matters
  2. Carolee Schneemann
  3. pp. 16-18
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  1. Pulled From the Shadows: William Kentridge’s African Dance of Death
  2. Ann McCoy
  3. pp. 19-26
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American Playwrights Celebrate Caryl Churchill at Eighty

  1. American Playwrights Celebrate Caryl Churchill at Eighty
  2. Bonnie Marranca
  3. p. 27
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  1. Permanent Permission Slip: (Thank You, Caryl Churchill)
  2. Sibyl Kempson
  3. pp. 27-29
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  1. On Caryl Churchill
  2. Julia Jarcho
  3. pp. 30-31
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  1. A Singular Voice
  2. Richard Nelson
  3. pp. 32-33
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  1. Caryl Churchill: Only Dimly Understood
  2. Anne Washburn
  3. pp. 33-35
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  1. Disruptor and Provocateur
  2. Lenora Champagne
  3. pp. 35-37
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  1. Naught-o-Naut, In and Out of the Blue
  2. Eric Ehn
  3. pp. 37-39
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  1. Notes on the Poetics of Caryl Churchill’s Escaped Alone
  2. Fiona Templeton
  3. pp. 39-41
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  1. Churchill’s Vision
  2. Caridad Svich
  3. pp. 41-43
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  1. On Caryl Churchill and Dull Gret
  2. Sarah Ruhl
  3. pp. 43-44
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  1. The Agitated Now: Perceptions of Time and the Contemplative Space of Art
  2. Carol Becker
  3. pp. 45-57
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  1. How We Remember: Judson Dance Theater at MoMA
  2. Abigail Levine
  3. pp. 58-68
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Art & Performance Notes

  1. The Image of Freedom: On Fabre’s Mount Olympus
  2. Amir Farjoun
  3. pp. 69-74
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  1. Posthuman Visions
  2. Sarah Lucie
  3. pp. 75-79
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  1. What Fears May Come?
  2. Christine Sustek Williams
  3. pp. 80-84
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  1. The Resurgence of Russian Cosmism
  2. Ellen Pearlman
  3. pp. 85-92
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Play

  1. Soccer Fans on Stage
  2. Philippa Wehle
  3. pp. 93-100
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  1. Stadium
  2. Mohamed El Khatib, Philippa Wehle
  3. pp. 101-118
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Books & Company

  1. Hallucinating Networks and Secret Museums: Hito Steyerl on Our Aesthetic Immiseration
  2. Ryan Anthony Hatch
  3. pp. 119-124
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