In this Issue
Formerly Performing Arts Journal, through volume 19, no. 3, September 1997 (E-ISSN: 1086-3281, Print ISSN: 0735-8393).
Under continuous editorship since its founding in 1976, PAJ has been an influential voice in the arts for twenty-six years. Now in an updated format and design, PAJ offers extended coverage of the visual arts (such as video, installations, photography, and multimedia performance), in addition to reviews of new works in theatre, dance, film, and opera. Issues include artists' writings, essays, interviews and dialogues, historical documentation, performance texts and plays, reports on performance abroad, and book reviews.
published by
The MIT Pressviewing issue
Volume 41, Number 2, May 2019 (PAJ 122)Table of Contents
- In the Beginning is Drawing
- pp. 1-15
- What Matters
- pp. 16-18
- On Caryl Churchill
- pp. 30-31
- A Singular Voice
- pp. 32-33
- Disruptor and Provocateur
- pp. 35-37
- Churchill’s Vision
- pp. 41-43
- On Caryl Churchill and Dull Gret
- pp. 43-44
- Posthuman Visions
- pp. 75-79
- What Fears May Come?
- pp. 80-84
- The Resurgence of Russian Cosmism
- pp. 85-92
- Soccer Fans on Stage
- pp. 93-100