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In this Issue

Table of Contents

  1. Introduction
  2. Rigoberto González
  3. pp. 1-2
  4. DOI: https://doi.org/10.1353/plo.2019.0000
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Fiction

  1. Fox Hollow
  2. Joy Castro
  3. pp. 17-21
  4. DOI: https://doi.org/10.1353/plo.2019.0004
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  1. The Enchanted Tiki Room
  2. Daniel Chacón
  3. pp. 26-35
  4. DOI: https://doi.org/10.1353/plo.2019.0008
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  1. One Goes Where One Is Needed
  2. Brock Clarke
  3. pp. 44-56
  4. DOI: https://doi.org/10.1353/plo.2019.0011
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  1. A Private River
  2. Alice Elliott Dark
  3. pp. 63-74
  4. DOI: https://doi.org/10.1353/plo.2019.0014
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  1. Big Sister
  2. Serkan Görkemli
  3. pp. 115-123
  4. DOI: https://doi.org/10.1353/plo.2019.0025
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  1. Some of You
  2. Mario Alberto Zambrano
  3. pp. 178-187
  4. DOI: https://doi.org/10.1353/plo.2019.0039
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Nonfiction

  1. My Ideal Audience
  2. Mattilda Bernstein Sycamore
  3. pp. 3-11
  4. DOI: https://doi.org/10.1353/plo.2019.0001
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  1. Malcriado
  2. Edgar Gomez
  3. pp. 79-91
  4. DOI: https://doi.org/10.1353/plo.2019.0017
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  1. A Brief and Uneventful History of Burlap
  2. Marcos Gonsalez
  3. pp. 98-110
  4. DOI: https://doi.org/10.1353/plo.2019.0021
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  1. José's Girls
  2. Jonathan Winston Jones
  3. pp. 129-139
  4. DOI: https://doi.org/10.1353/plo.2019.0028
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  1. Color Therapy
  2. Marie Mutsuki Mockett
  3. pp. 145-157
  4. DOI: https://doi.org/10.1353/plo.2019.0032
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  1. Julia's Stepchild
  2. Emily Raboteau
  3. pp. 161-171
  4. DOI: https://doi.org/10.1353/plo.2019.0035
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Poetry

  1. Hover
  2. Sherwin Bitsui
  3. pp. 12-14
  4. DOI: https://doi.org/10.1353/plo.2019.0002
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  1. Ars Poetica
  2. Sara Borjas
  3. pp. 15-16
  4. DOI: https://doi.org/10.1353/plo.2019.0003
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  1. At the Georgia O'Keeffe Museum
  2. Sarah Burke
  3. p. 22
  4. DOI: https://doi.org/10.1353/plo.2019.0005
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  1. The Vault
  2. Andrés Cerpa
  3. p. 23
  4. DOI: https://doi.org/10.1353/plo.2019.0006
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  1. Obit
  2. Victoria Chang
  3. pp. 24-25
  4. DOI: https://doi.org/10.1353/plo.2019.0007
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  1. Delta Delta Delta
  2. Tiana Clark
  3. pp. 36-37
  4. DOI: https://doi.org/10.1353/plo.2019.0009
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  1. This Life Not Yet Saved
  2. Geffrey Davis
  3. pp. 38-43
  4. DOI: https://doi.org/10.1353/plo.2019.0010
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  1. For the Record
  2. Paul Guest
  3. pp. 57-58
  4. DOI: https://doi.org/10.1353/plo.2019.0012
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  1. Alloy
  2. Kimiko Hahn
  3. pp. 59-62
  4. DOI: https://doi.org/10.1353/plo.2019.0013
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  1. After the Breakup, I Encounter My Whiteness Again
  2. James Allen Hall
  3. pp. 75-76
  4. DOI: https://doi.org/10.1353/plo.2019.0015
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  1. Ode to the Afternoon
  2. Zeina Hashem Beck
  3. pp. 77-78
  4. DOI: https://doi.org/10.1353/plo.2019.0016
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  1. Two Gifts
  2. Safia Jama
  3. pp. 92-95
  4. DOI: https://doi.org/10.1353/plo.2019.0018
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  1. Hello
  2. Ilya Kaminsky
  3. p. 96
  4. DOI: https://doi.org/10.1353/plo.2019.0019
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  1. The Gift
  2. Jennifer L. Knox
  3. p. 97
  4. DOI: https://doi.org/10.1353/plo.2019.0020
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  1. Where the Bruja Provides an Open Invitation to the White Boy in Texas
  2. Rachel Mckibbens
  3. pp. 111-112
  4. DOI: https://doi.org/10.1353/plo.2019.0022
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  1. Cultural Revolution
  2. Rajiv Mohabir
  3. p. 113
  4. DOI: https://doi.org/10.1353/plo.2019.0023
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  1. When You Are Near, I Turn into a Baja Fairyduster
  2. Aimee Nezhukumatathil
  3. p. 114
  4. DOI: https://doi.org/10.1353/plo.2019.0024
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  1. Tha-Tha-Tha-Tha-That's All, Folks
  2. Nkosi Nkululeko
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/plo.2019.0026
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  1. Moon Cricket
  2. Julian Randall
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/plo.2019.0027
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  1. Six Valedictions for the Last Night I Loved You
  2. Jayme Ringleb
  3. pp. 140-141
  4. DOI: https://doi.org/10.1353/plo.2019.0029
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  1. Long Division
  2. Viplav Saini
  3. pp. 142-143
  4. DOI: https://doi.org/10.1353/plo.2019.0030
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  1. After Making Red Chile
  2. Natalie Scenters-Zapico
  3. p. 144
  4. DOI: https://doi.org/10.1353/plo.2019.0031
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  1. Cover the Mirrors
  2. Callie Siskel
  3. pp. 158-159
  4. DOI: https://doi.org/10.1353/plo.2019.0033
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  1. In the Fields
  2. Jake Skeets
  3. p. 160
  4. DOI: https://doi.org/10.1353/plo.2019.0034
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  1. Scientific Method
  2. Paul Tran
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/plo.2019.0036
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  1. Damp Room
  2. Devon Walker-Figueroa
  3. pp. 175-176
  4. DOI: https://doi.org/10.1353/plo.2019.0037
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  1. Sugar Ray Extols the Virtues of a Good Death to Son, Quick
  2. Marcus Wicker
  3. p. 177
  4. DOI: https://doi.org/10.1353/plo.2019.0038
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Look2 Essay

  1. Doing Good and Making Trouble: A Look at Helen Hunt Jackson
  2. Lisa Mullenneaux
  3. pp. 188-196
  4. DOI: https://doi.org/10.1353/plo.2019.0040
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Postscripts

  1. Alice Hoffman Prize for Fiction
  3. pp. 197-202
  4. DOI: https://doi.org/10.1353/plo.2019.0041
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  1. Editor's Shelf
  3. pp. 200-201
  4. DOI: https://doi.org/10.1353/plo.2019.0044
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  1. Editors' Corner
  3. p. 202
  4. DOI: https://doi.org/10.1353/plo.2019.0042
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  1. Contributors' Notes
  3. pp. 202-210
  4. DOI: https://doi.org/10.1353/plo.2019.0043
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