In this Issue

Table of Contents

Introduction: Portraitomanie and Intermediality in Nineteenth-Century France

Érika Wicky, Kathrin Yacavone
pp. 1-11
DOI: https://doi.org/10.1353/esp.2019.0000
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Figures de l'altérité au XIXe siècle : Portraits, caractères, expressions

Martial Guédron
pp. 12-27
DOI: https://doi.org/10.1353/esp.2019.0001
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Souvenirs perpétuels : Une histoire matérielle du portrait au XIXe siècle

Manuel Charpy
pp. 28-46
DOI: https://doi.org/10.1353/esp.2019.0002
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Emulating Vatel: Portraitomanie, Celebrity, and Culinary Intermediality, 1880-1914

Michael D. Garval
pp. 47-65
DOI: https://doi.org/10.1353/esp.2019.0003
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Portraits of Deburau in Janin's Deburau, l'histoire du théâtre à quatre sous

Edward Nye
pp. 66-81
DOI: https://doi.org/10.1353/esp.2019.0004
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Le gouvernement des portraits : Autour d'Émile de Girardin

Adeline Wrona
pp. 82-94
DOI: https://doi.org/10.1353/esp.2019.0005
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"Un déjeuner avec M. Maeterlinck": Intermedial Experimentation in Adolphe Brisson's Portraits intimes

Elizabeth Emery
pp. 95-110
DOI: https://doi.org/10.1353/esp.2019.0006
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George Sand and Nadar: Portraiture Between Lithography, Sculpture, and Photography

Kathrin Yacavone
pp. 111-127
DOI: https://doi.org/10.1353/esp.2019.0007
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« Les photographies et les biographies » : Barbey d'Aurevilly et « la démocratie du portrait »

Julien Zanetta
pp. 128-141
DOI: https://doi.org/10.1353/esp.2019.0008
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Psyché et Narcisse, portraits et miroirs

Érika Wicky
pp. 142-153
DOI: https://doi.org/10.1353/esp.2019.0009
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Aesthetic Citizenship: Immigration and Theater in Twenty-First-Century Paris by Emine Fişek (review)

Brittany Murray
p. 154
DOI: https://doi.org/10.1353/esp.2019.0010
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Original Copies in Georges Perec and Andy Warhol by Priya Wadhera (review)

Warren Motte
p. 155
DOI: https://doi.org/10.1353/esp.2019.0011
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