+ MUSE Alert

In this Issue

Table of Contents

  1. Editorial Comment
  2. Jen Parker-Starbuck
  3. pp. vii-ix
  4. DOI: https://doi.org/10.1353/tj.2019.0000
  5. restricted access

Essays

  1. Confederation and Control: Mass Gymnastics and the Czech and German Bodies Politic
  2. Kimberly Jannarone
  3. pp. 1-27
  4. DOI: https://doi.org/10.1353/tj.2019.0001
  5. restricted access
  1. Performing Transnational Feminist Solidarity? The Vagina Monologues and One Billion Rising
  2. Geraldine Harris
  3. pp. 29-48
  4. DOI: https://doi.org/10.1353/tj.2019.0002
  5. restricted access
  1. Expectation, Melancholy, and Loss: Funnyhouse of a Negro and Dutchman in the Year 1964
  2. David Krasner
  3. pp. 49-67
  4. DOI: https://doi.org/10.1353/tj.2019.0003
  5. restricted access
  1. A Disabled Actor Prepares: Stanislavsky, Disability, and Work at the National Theatre Workshop of the Handicapped
  2. Patrick McKelvey
  3. pp. 69-89
  4. DOI: https://doi.org/10.1353/tj.2019.0004
  5. restricted access

Performance Reviews

  1. Sovereignty by Mary Kathryn Nagle, and: Jefferson’s Garden by Timberlake Wertenbaker (review)
  2. Shirley A. Huston-Findley
  3. pp. 91-94
  4. DOI: https://doi.org/10.1353/tj.2019.0005
  5. restricted access
  1. Girls of the Golden West by John Adams (review)
  2. James Peck
  3. pp. 94-96
  4. DOI: https://doi.org/10.1353/tj.2019.0006
  5. restricted access
  1. Pursuit of Happiness by Pavol Liska and Kelly Copper (review)
  2. Jayson A. Morrison
  3. pp. 96-98
  4. DOI: https://doi.org/10.1353/tj.2019.0007
  5. restricted access
  1. The B-Side: “Negro Folklore from Texas State Prisons,” A Record Album Interpretation by The Wooster Group (review)
  2. Lindsay Brandon Hunter
  3. pp. 98-100
  4. DOI: https://doi.org/10.1353/tj.2019.0008
  5. restricted access
  1. Latin History for Morons by John Leguizamo (review)
  2. Jimmy A. Noriega
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/tj.2019.0009
  5. restricted access
  1. Broken Tailbone by Carmen Aguirre (review)
  2. Trevor Boffone
  3. pp. 102-103
  4. DOI: https://doi.org/10.1353/tj.2019.0010
  5. restricted access
  1. Sugar by Robbie McCauley (review)
  2. Bianca Frazer
  3. pp. 103-105
  4. DOI: https://doi.org/10.1353/tj.2019.0011
  5. restricted access
  1. La Shikse by Sebastián Kirszner (review)
  2. C. Tova Markenson
  3. pp. 105-106
  4. DOI: https://doi.org/10.1353/tj.2019.0012
  5. restricted access
  1. Returning to Haifa by Ghassan Kanafani (review)
  2. Erica Stevens Abbitt
  3. pp. 106-108
  4. DOI: https://doi.org/10.1353/tj.2019.0013
  5. restricted access
  1. El Público (The Audience) by Federico García Lorca (review)
  2. Ben De Witte
  3. pp. 108-109
  4. DOI: https://doi.org/10.1353/tj.2019.0014
  5. restricted access
  1. The Iceman Cometh by Eugene O’Neill (review)
  2. Rebecca Ormiston
  3. pp. 110-111
  4. DOI: https://doi.org/10.1353/tj.2019.0015
  5. restricted access
  1. The Boys in the Band by Mart Crowley (review)
  2. David Krasner
  3. pp. 111-113
  4. DOI: https://doi.org/10.1353/tj.2019.0016
  5. restricted access
  1. Lift Every Voice: Resonating Music, Words, and Legacy (Featuring The August Wilson Symphony) by Kathryn Bostic et al. (review)
  2. Patrick Maley
  3. pp. 113-116
  4. DOI: https://doi.org/10.1353/tj.2019.0017
  5. restricted access
  1. The Wiz (Adapted from the Wonderful Wizard of Oz, by L. Frank Baum) by William F. Brown and Charlie Smalls (review)
  2. Eric M. Glover
  3. pp. 116-118
  4. DOI: https://doi.org/10.1353/tj.2019.0018
  5. restricted access
  1. Familiar by Danai Gurira (review)
  2. Kristin Moriah
  3. pp. 118-119
  4. DOI: https://doi.org/10.1353/tj.2019.0019
  5. restricted access

Book Reviews

  1. Aesthetic Citizenship: Immigration and Theater in Twenty-First-Century Paris by Emine Fişek (review)
  2. Janice Gross
  3. pp. 121-122
  4. DOI: https://doi.org/10.1353/tj.2019.0020
  5. restricted access
  1. Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez (review)
  2. Curtis Russell
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/tj.2019.0021
  5. restricted access
  1. Swim Pretty: Aquatic Spectacles and the Performance of Race, Gender, and Nature by Jennifer A. Kokai (review)
  2. Laura Bissell
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/tj.2019.0022
  5. restricted access
  1. Experiencing Liveness in Contemporary Performance: Interdisciplinary Perspectives ed. by Matthew Reason and Anja Mølle Lindelof (review)
  2. Caroline Heim
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/tj.2019.0023
  5. restricted access
  1. The Director’s Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde by Dassia N. Posner (review)
  2. Colleen McQuillen
  3. pp. 127-128
  4. DOI: https://doi.org/10.1353/tj.2019.0024
  5. restricted access
  1. Wendy Wasserstein by Jill Dolan (review)
  2. Carol Martin
  3. pp. 128-129
  4. DOI: https://doi.org/10.1353/tj.2019.0025
  5. restricted access
  1. Theatre/Performance Historiography: Time, Space, Matter ed. Rosemarie K. Bank and Michal Kobialka, and: Theatre History and Historiography: Ethics, Evidence and Truth ed. by Claire Cochrane and Jo Robinson (review)
  2. Hana Worthen
  3. pp. 129-131
  4. DOI: https://doi.org/10.1353/tj.2019.0026
  5. restricted access

Online-Only Supplementary Material

  1. Mass Gymnastics: A Playlist
  2. Kimberly Jannarone
  3. pp. E-1-E-8
  4. DOI: https://doi.org/10.1353/tj.2019.0027
  5. restricted access