1. Editorial Comment
  2. Jen Parker-Starbuck
  3. pp. vii-ix
  4. DOI: 10.1353/tj.2019.0000
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  1. Confederation and Control: Mass Gymnastics and the Czech and German Bodies Politic
  2. Kimberly Jannarone
  3. pp. 1-27
  4. DOI: 10.1353/tj.2019.0001
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  1. Performing Transnational Feminist Solidarity? The Vagina Monologues and One Billion Rising
  2. Geraldine Harris
  3. pp. 29-48
  4. DOI: 10.1353/tj.2019.0002
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  1. Expectation, Melancholy, and Loss: Funnyhouse of a Negro and Dutchman in the Year 1964
  2. David Krasner
  3. pp. 49-67
  4. DOI: 10.1353/tj.2019.0003
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  1. A Disabled Actor Prepares: Stanislavsky, Disability, and Work at the National Theatre Workshop of the Handicapped
  2. Patrick McKelvey
  3. pp. 69-89
  4. DOI: 10.1353/tj.2019.0004
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  1. Sovereignty by Mary Kathryn Nagle, and: Jefferson’s Garden by Timberlake Wertenbaker (review)
  2. Shirley A. Huston-Findley
  3. pp. 91-94
  4. DOI: 10.1353/tj.2019.0005
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  1. Girls of the Golden West by John Adams (review)
  2. James Peck
  3. pp. 94-96
  4. DOI: 10.1353/tj.2019.0006
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  1. Pursuit of Happiness by Pavol Liska and Kelly Copper (review)
  2. Jayson A. Morrison
  3. pp. 96-98
  4. DOI: 10.1353/tj.2019.0007
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  1. Latin History for Morons by John Leguizamo (review)
  2. Jimmy A. Noriega
  3. pp. 100-102
  4. DOI: 10.1353/tj.2019.0009
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  1. Broken Tailbone by Carmen Aguirre (review)
  2. Trevor Boffone
  3. pp. 102-103
  4. DOI: 10.1353/tj.2019.0010
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  1. Sugar by Robbie McCauley (review)
  2. Bianca Frazer
  3. pp. 103-105
  4. DOI: 10.1353/tj.2019.0011
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  1. La Shikse by Sebastián Kirszner (review)
  2. C. Tova Markenson
  3. pp. 105-106
  4. DOI: 10.1353/tj.2019.0012
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  1. Returning to Haifa by Ghassan Kanafani (review)
  2. Erica Stevens Abbitt
  3. pp. 106-108
  4. DOI: 10.1353/tj.2019.0013
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  1. El Público (The Audience) by Federico García Lorca (review)
  2. Ben De Witte
  3. pp. 108-109
  4. DOI: 10.1353/tj.2019.0014
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  1. The Iceman Cometh by Eugene O’Neill (review)
  2. Rebecca Ormiston
  3. pp. 110-111
  4. DOI: 10.1353/tj.2019.0015
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  1. The Boys in the Band by Mart Crowley (review)
  2. David Krasner
  3. pp. 111-113
  4. DOI: 10.1353/tj.2019.0016
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  1. Lift Every Voice: Resonating Music, Words, and Legacy (Featuring The August Wilson Symphony) by Kathryn Bostic et al. (review)
  2. Patrick Maley
  3. pp. 113-116
  4. DOI: 10.1353/tj.2019.0017
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  1. The Wiz (Adapted from the Wonderful Wizard of Oz, by L. Frank Baum) by William F. Brown and Charlie Smalls (review)
  2. Eric M. Glover
  3. pp. 116-118
  4. DOI: 10.1353/tj.2019.0018
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  1. Familiar by Danai Gurira (review)
  2. Kristin Moriah
  3. pp. 118-119
  4. DOI: 10.1353/tj.2019.0019
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  1. Aesthetic Citizenship: Immigration and Theater in Twenty-First-Century Paris by Emine Fişek (review)
  2. Janice Gross
  3. pp. 121-122
  4. DOI: 10.1353/tj.2019.0020
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  1. Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez (review)
  2. Curtis Russell
  3. pp. 122-124
  4. DOI: 10.1353/tj.2019.0021
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  1. Swim Pretty: Aquatic Spectacles and the Performance of Race, Gender, and Nature by Jennifer A. Kokai (review)
  2. Laura Bissell
  3. pp. 124-125
  4. DOI: 10.1353/tj.2019.0022
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  1. The Director’s Prism: E. T. A. Hoffmann and the Russian Theatrical Avant-Garde by Dassia N. Posner (review)
  2. Colleen McQuillen
  3. pp. 127-128
  4. DOI: 10.1353/tj.2019.0024
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  1. Wendy Wasserstein by Jill Dolan (review)
  2. Carol Martin
  3. pp. 128-129
  4. DOI: 10.1353/tj.2019.0025
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  1. Mass Gymnastics: A Playlist
  2. Kimberly Jannarone
  3. pp. E-1-E-8
  4. DOI: 10.1353/tj.2019.0027
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