In this Issue
For seven decades, Theatre Journal's broad array of scholarly articles and reviews has earned it an international reputation as one of the most authoritative and useful publications of theatre studies available today. Drawing contributions from noted practitioners and scholars, Theatre Journal features social and historical studies, production reviews, and theoretical inquiries that analyze dramatic texts and production. Theatre Journal is an official publication of the Association for Theatre in Higher Education (ATHE).
published by
Johns Hopkins University Pressviewing issue
Volume 71, Number 1, March 2019Table of Contents
- Editorial Comment
- pp. vii-ix
- DOI: 10.1353/tj.2019.0000
- Broken Tailbone by Carmen Aguirre (review)
- pp. 102-103
- DOI: 10.1353/tj.2019.0010
- Sugar by Robbie McCauley (review)
- pp. 103-105
- DOI: 10.1353/tj.2019.0011
- La Shikse by Sebastián Kirszner (review)
- pp. 105-106
- DOI: 10.1353/tj.2019.0012
- Returning to Haifa by Ghassan Kanafani (review)
- pp. 106-108
- DOI: 10.1353/tj.2019.0013
- The Iceman Cometh by Eugene O’Neill (review)
- pp. 110-111
- DOI: 10.1353/tj.2019.0015
- The Boys in the Band by Mart Crowley (review)
- pp. 111-113
- DOI: 10.1353/tj.2019.0016
- Familiar by Danai Gurira (review)
- pp. 118-119
- DOI: 10.1353/tj.2019.0019
- Wendy Wasserstein by Jill Dolan (review)
- pp. 128-129
- DOI: 10.1353/tj.2019.0025
- Mass Gymnastics: A Playlist
- pp. E-1-E-8
- DOI: 10.1353/tj.2019.0027