1. Editor's Introduction: The Conference, The Critic, and Al Capone
  2. Jeraldine R. Kraver
  3. pp. ix-x
  4. DOI: 10.1353/cea.2019.0000
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  1. The Sands of Un-Certainty: Tidalectically Synthesizing Nature and Culture in Derek Walcott's Omeros
  2. Maria Del Carmen Quintero Aguilo
  3. pp. 1-10
  4. DOI: 10.1353/cea.2019.0001
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  1. The Magic and the Real in Magical Realism: The Work of Gioconda Belli as a Paradigm
  2. Maria Odette Canivell
  3. pp. 24-30
  4. DOI: 10.1353/cea.2019.0004
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  1. "Hurray for Foreigners!": Reading Hemingway's Spain in the Context of Tourism Studies
  2. Danielle Clapham
  3. pp. 31-35
  4. DOI: 10.1353/cea.2019.0005
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  1. The True Heir of Jane Eyre: Roald Dahl's Matilda Wormwood
  2. Lee Anna Maynard
  3. pp. 42-50
  4. DOI: 10.1353/cea.2019.0007
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  1. Virtual Bridges: Connecting through Digital Media
  2. Julie D. Nelson
  3. pp. 51-56
  4. DOI: 10.1353/cea.2019.0008
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  1. Fragments of Literary Modernism in Joan Didion's The Last Thing He Wanted
  2. Josh Privett
  3. pp. 57-63
  4. DOI: 10.1353/cea.2019.0009
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  1. Inviting Children to Imagine Peace
  2. Karen Schiler
  3. pp. 64-69
  4. DOI: 10.1353/cea.2019.0010
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  1. "I swear those things are so fresh": Sneakers, Race, and Mobility in The Hate U Give
  2. Jay Shelat
  3. pp. 70-74
  4. DOI: 10.1353/cea.2019.0011
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  1. Contributors
  2. pp. 75-76
  3. DOI: 10.1353/cea.2019.0012
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