1. Editorial: How to Play
  2. Kimberley McLeod
  3. pp. 5-7
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  1. Grand Theft Terra Firma
  2. Laura Schneider, David Campion, Sandra Shields
  3. pp. 8-13
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  1. The Scripting of Unscripted: The Game of Making Theatre and the Theatre of Making a Game
  2. Heather Marie Annis, Amy Lee, Byron Laviolette
  3. pp. 14-19
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  1. The Virtual Stage’s Zombie Syndrome: Interactive Gaming on the Mean Streets of Vancouver
  2. Andy Thompson
  3. pp. 20-25
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  1. Jacqueries: Mind Games, Street Action, and the Art of the Heist
  2. Jacob Niedzwiecki
  3. pp. 26-31
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  1. Performing the Game: Demystifying Live Action Role-Play (LARP)
  2. David Owen
  3. pp. 32-37
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  1. Creating an Escape Room: A Discussion on Experiential Learning and Interdisciplinary Studies
  2. Helena Ciuciura, Mark Dickinson, Michelle Mohammed, Tarndeep Pannu, Dylan Pineo
  3. pp. 38-43
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  1. Tilted Dramaturgy: Combined Spectatorship, Playwriting, and Role-Playing in Bully Pulpit’s Fiasco
  2. Peter Kuling
  3. pp. 44-47
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  1. Acting and Motion Capture in a Digital Gaming World: A Conversation between Mark Lipton and Joy Tanner
  2. Mark Lipton, Joy Tanner
  3. pp. 48-51
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  1. Real-Time Game Mechanics in Theatre
  2. Remy Siu (蕭逸南)
  3. pp. 52-58
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  1. Foxconn Frequency (no.3)
  2. Remy Siu (蕭逸南)
  3. pp. 59-65
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  1. Editorial: Indigenous Methodologies/Settler Responsibilities
  2. Heather Davis-Fisch
  3. pp. 66-67
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  1. Relinquishing Expertise: Notes on Feminist Indigenous Performance Methodology
  2. Jenn Cole
  3. pp. 68-71
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  1. Extra-Rational Indigenous Performance: Dear John; Louis David Riel
  2. David Garneau
  3. pp. 72-76
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  1. A Ryga-Rita Rethink: A Panel Discussion
  2. Don Rubin, Ann Mortifee, Victor Davies, Gina Payzant, Patricia Keeney, Tanya Rya, Varya Rubin, Donna Wong-Juliani
  3. pp. 77-79
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  1. Bodying Difference Differently
  2. Mathew Arthur
  3. pp. 81-82
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  1. Exploding the Hourglass: Next-Level Intercultural Theatre Research
  2. Guillermo Verdecchia
  3. pp. 83-85
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