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Table of Contents

  1. Introduction
  2. Shepherd Steiner
  3. pp. v-viii
  4. restricted access
  1. From Peyton Plantation to Peyton Place: Gothic Tropes in Grace Metalious's Infamous New England Novel
  2. Melanie R. Anderson
  3. pp. 1-16
  4. DOI: https://doi.org/10.1353/mos.2019.0001
  5. restricted access
  1. Barthes the Phenomenologist and the Being of Literature
  2. Nicholas O. Pagan
  3. pp. 17-32
  4. DOI: https://doi.org/10.1353/mos.2019.0002
  5. restricted access
  1. Group Psychology and Crowd Behaviour in Ira Levin's The Stepford Wives
  2. Afra Alshiban
  3. pp. 33-49
  4. DOI: https://doi.org/10.1353/mos.2019.0003
  5. restricted access
  1. No Guts, No Glory: Non-Normative Sexuality and Affect in Chuck Palahniuk's "Guts"
  2. Anna Kozak
  3. pp. 51-67
  4. DOI: https://doi.org/10.1353/mos.2019.0004
  5. restricted access
  1. The Life in Death of Psychoanalysis
  2. Stephen Dougherty
  3. pp. 69-85
  4. DOI: https://doi.org/10.1353/mos.2019.0005
  5. restricted access
  1. Violence and Ventriloquism in J.M. Coetzee's Disgrace
  2. Sonia Li
  3. pp. 87-102
  4. DOI: https://doi.org/10.1353/mos.2019.0006
  5. restricted access
  1. Care and Autonomy in The Awakening and Seo's "Though Time Goes By"
  2. Amy C. Smith, Julie Wilhelm
  3. pp. 103-119
  4. DOI: https://doi.org/10.1353/mos.2019.0007
  5. restricted access
  1. "A Suspended State": The Body of an American as Cinematic Doppelgänger
  2. Edward Eason
  3. pp. 121-137
  4. DOI: https://doi.org/10.1353/mos.2019.0008
  5. restricted access
  1. Agamben's Happy Life: Toward an Ethics of Impotence and Mere Communicability
  2. Simon Marijsse
  3. pp. 139-154
  4. DOI: https://doi.org/10.1353/mos.2019.0009
  5. restricted access
  1. A Theory of Irony as Event
  2. John Richardson
  3. pp. 155-171
  4. DOI: https://doi.org/10.1353/mos.2019.0010
  5. restricted access