In this Issue

Table of Contents

Introduction

Shepherd Steiner
pp. v-viii
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From Peyton Plantation to Peyton Place: Gothic Tropes in Grace Metalious's Infamous New England Novel

Melanie R. Anderson
pp. 1-16
DOI: https://doi.org/10.1353/mos.2019.0001
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Barthes the Phenomenologist and the Being of Literature

Nicholas O. Pagan
pp. 17-32
DOI: https://doi.org/10.1353/mos.2019.0002
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Group Psychology and Crowd Behaviour in Ira Levin's The Stepford Wives

Afra Alshiban
pp. 33-49
DOI: https://doi.org/10.1353/mos.2019.0003
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No Guts, No Glory: Non-Normative Sexuality and Affect in Chuck Palahniuk's "Guts"

Anna Kozak
pp. 51-67
DOI: https://doi.org/10.1353/mos.2019.0004
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The Life in Death of Psychoanalysis

Stephen Dougherty
pp. 69-85
DOI: https://doi.org/10.1353/mos.2019.0005
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Violence and Ventriloquism in J.M. Coetzee's Disgrace

Sonia Li
pp. 87-102
DOI: https://doi.org/10.1353/mos.2019.0006
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Care and Autonomy in The Awakening and Seo's "Though Time Goes By"

Amy C. Smith, Julie Wilhelm
pp. 103-119
DOI: https://doi.org/10.1353/mos.2019.0007
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"A Suspended State": The Body of an American as Cinematic Doppelgänger

Edward Eason
pp. 121-137
DOI: https://doi.org/10.1353/mos.2019.0008
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Agamben's Happy Life: Toward an Ethics of Impotence and Mere Communicability

Simon Marijsse
pp. 139-154
DOI: https://doi.org/10.1353/mos.2019.0009
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A Theory of Irony as Event

John Richardson
pp. 155-171
DOI: https://doi.org/10.1353/mos.2019.0010
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