1. Introduction: Everything Old Is Novel Again
  2. Nora Gilbert
  3. pp. 1-5
  4. DOI: 10.1353/sdn.2019.0001
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Articles from the Archives

  1. Michel Fabre's Capacious Intelligence
  2. Walton Muyumba
  3. pp. 6-9
  4. DOI: 10.1353/sdn.2019.0000
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  1. Richard Wright: The Man Who Lived Underground
  2. Michel Fabre
  3. pp. 10-22
  4. DOI: 10.1353/sdn.2019.0002
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  1. Caste as Indian: The Anglophone Critic and the Question of National Identity
  2. Priyamvada Gopal
  3. pp. 23-25
  4. DOI: 10.1353/sdn.2019.0003
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  1. The Indian Novel in English: A Search for Identity*
  2. K. S. Narayana Rao
  3. pp. 26-32
  4. DOI: 10.1353/sdn.2019.0004
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  1. Jane Austen and the Sex-Positive Novel
  2. Deidre Shauna Lynch
  3. pp. 33-35
  4. DOI: 10.1353/sdn.2019.0005
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  1. "A Pair of Fine Eyes": Jane Austen's Treatment of Sex
  2. Alice Chandler
  3. pp. 36-50
  4. DOI: 10.1353/sdn.2019.0006
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  1. An Imaginary Paradise of Individuals
  2. Annette Federico
  3. pp. 51-53
  4. DOI: 10.1353/sdn.2019.0007
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  1. A Perspective of One's Own: Thomas Hardy and the Elusive Sue Bridehead
  2. Elizabeth Langland
  3. pp. 54-68
  4. DOI: 10.1353/sdn.2019.0008
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  1. Recuperating Romance: Reading Lennox Reading Shakespeare
  2. Albert J. Rivero
  3. pp. 69-71
  4. DOI: 10.1353/sdn.2019.0009
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  1. Shakespeare's Novels: Charlotte Lennox Illustrated
  2. Margaret Anne Doody
  3. pp. 72-85
  4. DOI: 10.1353/sdn.2019.0010
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  1. Ulysses, Gabler, and Kidd: The Personal Note
  2. Mark Wollaeger
  3. pp. 86-97
  4. DOI: 10.1353/sdn.2019.0011
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  1. Introduction: A Special Issue on Editing Ulysses
  2. Charles Rossman
  3. pp. 98-103
  4. DOI: 10.1353/sdn.2019.0012
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  1. The Place of the Novel in Reparative Reading
  2. Dorothy J. Hale
  3. pp. 104-109
  4. DOI: 10.1353/sdn.2019.0013
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  1. Introduction: Queerer than Fiction
  2. Eve Kosofsky Sedgwick
  3. pp. 110-113
  4. DOI: 10.1353/sdn.2019.0014
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  1. The Visual Origins of the Material Turn
  2. Gabriel Cervantes
  3. pp. 114-117
  4. DOI: 10.1353/sdn.2019.0015
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  1. Prefiguring Genre: Frontispiece Portraits from Gulliver's Travels to Millenium Hall
  2. Janine Barchas
  3. pp. 118-144
  4. DOI: 10.1353/sdn.2019.0016
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  1. Trauma, History, the Indigenous Novel, and the Now
  2. Angela Calcaterra
  3. pp. 145-148
  4. DOI: 10.1353/sdn.2019.0017
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  1. The Trans/Historicity of Trauma in Jeannette Armstrong's Slash and Sherman Alexie's Indian Killer
  2. Nancy van Styvendale
  3. pp. 149-169
  4. DOI: 10.1353/sdn.2019.0018
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  1. Cormac McCarthy for the Ages
  2. Timothy Parrish
  3. pp. 170-172
  4. DOI: 10.1353/sdn.2019.0019
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  1. Cormac McCarthy's The Road As Apocalyptic Grail Narrative
  2. Lydia R. Cooper
  3. pp. 173-191
  4. DOI: 10.1353/sdn.2019.0020
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