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Table of Contents

  1. Mad Men and Mindfulness
  2. Niels Niessen
  3. pp. 273-307
  4. DOI: https://doi.org/10.1353/dis.2018.a719450
  5. restricted access
  1. The Inaudibility of Contemporary Technics: Carsten Nicolai's Telefunken
  2. Ian Kennedy
  3. pp. 308-330
  4. DOI: https://doi.org/10.13110/discourse.40.3.0308
  5. restricted access

Dossier: Horror and the Aesthetics of Landscape

  1. Introduction
  2. Eugenie Brinkema, Adam Lowenstein
  3. pp. 333-341
  4. DOI: https://doi.org/10.13110/discourse.40.3.0333
  5. restricted access
  1. What Do We Do with Vacant Space in Horror Films?
  2. Karl Schoonover
  3. pp. 342-357
  4. DOI: https://doi.org/10.13110/discourse.40.3.0342
  5. restricted access
  1. A Detroit Landscape with Figures: The Subtractive Horror of It Follows
  2. Adam Lowenstein
  3. pp. 358-369
  4. DOI: https://doi.org/10.13110/discourse.40.3.0358
  5. restricted access
  1. Strangers by Lakes: 1 or 2 or 4 or 5 or 10
  2. Eugenie Brinkema
  3. pp. 370-381
  4. DOI: https://doi.org/10.13110/discourse.40.3.0370
  5. restricted access
  1. Cinematic Violence Isn't Violent Enough
  2. Cameron Kunzelman
  3. pp. 382-385
  4. DOI: https://doi.org/10.13110/discourse.40.3.0382
  5. restricted access
  1. Supplementing Film Theory
  2. Héctor G. Castaño
  3. pp. 386-390
  4. restricted access

  1. Contributors
  2. pp. 391-392
  3. restricted access