1. From the Editor
  2. Siyuan Liu
  3. pp. iii-iv
  4. DOI: 10.1353/atj.2019.0000
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  1. Ras and Affect in Ramlila (and the Radheshyam Ramayan)
  2. Pamela Lothspeich
  3. pp. 1-27
  4. DOI: 10.1353/atj.2019.0001
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  1. Rescuing Mulian's Mother in the Xi Era: Reviving Ritual Xiqu in Contemporary Fujian
  2. Josh Stenberg
  3. pp. 28-48
  4. DOI: 10.1353/atj.2019.0002
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  1. Desiring Spectacular Discipline: Aspiration, Fraternal Anxiety, and the Allure of Restraint in Nō's Dōjōji
  2. Reginald Jackson
  3. pp. 49-78
  4. DOI: 10.1353/atj.2019.0003
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  1. Chinese Entertainment Industry, the Case of Folk Errenzhuan
  2. Haili Ma
  3. pp. 79-100
  4. DOI: 10.1353/atj.2019.0004
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  1. Theatre on the Move: Sakurai Daizou's Tent Theatre in East Asia
  2. I-Yi Hsieh
  3. pp. 101-121
  4. DOI: 10.1353/atj.2019.0005
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  1. 2017 Black Tent Theatre Project in Gwanghwamun Square: Staging Tragic Memory and Building Solidarity through Public Theatre
  2. Jae Kyoung Kim
  3. pp. 122-143
  4. DOI: 10.1353/atj.2019.0006
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  1. Mystic Lear and Playful Hamlet: The Critical Cultural Dramaturgy in the Iranian Appropriations of Shakespearean Tragedies
  2. Amin Azimi, Marjan Moosavi
  3. pp. 144-164
  4. DOI: 10.1353/atj.2019.0007
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  1. Uncle Tom's Cabin in China: Ouyang Yuqian's Regret of a Black Slave and the Tactics of Impersonating Race, Gender, and Class
  2. Megan Ammirati
  3. pp. 165-188
  4. DOI: 10.1353/atj.2019.0008
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  1. Trapping the Heron: The Curious Case of Sagi School Kyōgen
  2. Alex Rogals
  3. pp. 189-204
  4. DOI: 10.1353/atj.2019.0009
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  1. Local Community Ritual Theatre in Guangxi, South China
  2. Jian Xie
  3. pp. 205-220
  4. DOI: 10.1353/atj.2019.0010
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  1. Masks and Costumes of Purulia Chhau
  2. Deepsikha Chatterjee
  3. pp. 221-238
  4. DOI: 10.1353/atj.2019.0011
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  1. Ola Bola the Musical dir. by Tiara Jacquelina (review)
  2. Susan Philip
  3. pp. 239-245
  4. DOI: 10.1353/atj.2019.0012
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  1. The Oxford Handbook of Dance and Ethnicity ed. by Anthony Shay and Barbara Sellers-Young (review)
  2. Emily Wilcox
  3. pp. 246-249
  4. DOI: 10.1353/atj.2019.0013
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  1. World Dance Cultures: From Ritual to Spectacle by Patricia Leigh Beaman (review)
  2. Yizhou Huang
  3. pp. 250-252
  4. DOI: 10.1353/atj.2019.0014
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  1. Staging British South Asian Culture: Bollywood and Bhangra in British Theatre by Jerri Daboo (review)
  2. Merritt Denman
  3. pp. 253-256
  4. DOI: 10.1353/atj.2019.0015
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  1. The Orphan of Zhao and Other Yuan Plays: The Earliest Known Versions trans. by Stephen H. West and Wilt L. Idema (review)
  2. Yan Ma
  3. pp. 256-259
  4. DOI: 10.1353/atj.2019.0016
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  1. A Tokyo Romance: A Memoir by Ian Buruma (review)
  2. David Jortner
  3. pp. 260-262
  4. DOI: 10.1353/atj.2019.0017
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  1. Engeki: Japanese Theatre in the New Millennium (review)
  2. Sara Newsome
  3. pp. 262-266
  4. DOI: 10.1353/atj.2019.0018
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  1. Hijikata Tatsumi and Ohno Kazuo by Sondra Fraleigh and Tamah Nakamura (review)
  2. Alex Rogals
  3. pp. 266-269
  4. DOI: 10.1353/atj.2019.0019
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  1. Snow in Midsummer by Frances Ya-Chu Cowhig (review)
  2. Kathy Foley
  3. p. 270
  4. DOI: 10.1353/atj.2019.0021
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  1. Books Received
  3. pp. 270-272
  4. DOI: 10.1353/atj.2019.0020
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  1. Voices of Taiwanese Women: Three Contemporary Plays ed. by John Weinstein (review)
  2. David Jortner
  3. p. 271
  4. DOI: 10.1353/atj.2019.0022
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  1. Drumming Asian America: Taiko, Performance, and Cultural Politics by Angela K. Ahlgren (review)
  2. David Jortner
  3. p. 272
  4. DOI: 10.1353/atj.2019.0023
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