Project MUSE - Callaloo-Volume 40, Number 3, Summer 2017

American, and: Until I Get Back, and: American Birthdeath Sequence, and: Blood-Slow Riot, and: John 1:1

Aaron Coleman

pp. 1-5

DOI: https://doi.org/10.1353/cal.2017.0112

Trio A, and: Fear and Loathing (Comin' and Goin'), and: Ode to the Happy Negro Hugging the Flag in Robert Colescott's George Washington Carver Crossing the Delaware, and: Private Party, and: Broke Bois

Anaïs Duplan

pp. 6-13

DOI: https://doi.org/10.1353/cal.2017.0113

The Dollmaker's Misfortune

Selena Anderson

pp. 14-22

DOI: https://doi.org/10.1353/cal.2017.0114

Observing Rain, and: The Negro Speaking, and: The Negro Speaking, and: Poem Beginning with a Line by Etheridge Knight

Nkosi Nkululeko

pp. 23-26

DOI: https://doi.org/10.1353/cal.2017.0115

Edible Parts

Bernard James

pp. 27-33

DOI: https://doi.org/10.1353/cal.2017.0116

Addiction

Andrew E. Colarusso

pp. 34-43

DOI: https://doi.org/10.1353/cal.2017.0117

from Year of the Rat

Marc Anthony Richardson

pp. 44-53

DOI: https://doi.org/10.1353/cal.2017.0118

Necessary Apparitions: How Contemporary Poets of Color Embrace the Supernatural to Express Radical Vulnerability

Aaron Coleman

pp. 54-60

DOI: https://doi.org/10.1353/cal.2017.0119

Black, Queer, and Precarious Visibilities: Simon Nkoli's Activist Image in South Africa's Exit Newspaper

Z'étoile Imma

pp. 61-74

DOI: https://doi.org/10.1353/cal.2017.0120

Poetry is Not a Country Club: Reflecting on "The Change"

Isaac Ginsberg Miller

pp. 75-97

DOI: https://doi.org/10.1353/cal.2017.0121

Scripts of Blackness: Race, Cultural Nationalism, and U.S. Colonialism in Puerto Rico by Isar P. Godreau (review)

Sharif El Gammal-Ortiz

pp. 98-101

DOI: https://doi.org/10.1353/cal.2017.0122

On Racial Icons: Blackness and the Public Imagination by Nicole R. Fleetwood (review)

Rachel Brunner

pp. 101-104

DOI: https://doi.org/10.1353/cal.2017.0123

Our Caribbean Kin: Race and Nation in the Neoliberal Antilles by Alaí Reyes-Santos (review)

Nicole D. Ramsey

pp. 104-106

DOI: https://doi.org/10.1353/cal.2017.0124

Hope Draped in Black: Race, Melancholy, and the Agony of Progress by Joseph R. Winters (review)

Jonathon S. Kahn

pp. 106-108

DOI: https://doi.org/10.1353/cal.2017.0125

Long Past Slavery: Representing Race in the Federal Writers' Project by Catherine A. Stewart (review)

Amy Lewis

pp. 109-111

DOI: https://doi.org/10.1353/cal.2017.0126

Love and Narrative Form in Toni Morrison's Later Novels by Jean Wyatt (review)

Laurie Vickroy

pp. 111-114

DOI: https://doi.org/10.1353/cal.2017.0127

Arrival: Poems by Cheryl Boyce-Taylor (review)

David B. Green Jr.

pp. 114-117

DOI: https://doi.org/10.1353/cal.2017.0128

Byline, Richard Wright: Articles from the Daily Worker and New Masses by Richard Wright (review)

Brennah Hutchison

pp. 117-120

DOI: https://doi.org/10.1353/cal.2017.0129

Contributors

pp. 121-123

DOI: https://doi.org/10.1353/cal.2017.0130

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