In this Issue

Table of Contents

Images

pp. i-iii
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Provocation

in the weeds

Ryan D. Tacata
p. 3
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Letters, Etc.

Announcements

Richard Schechner
p. 8
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Articles

Hier irrt Goethe: Rediscovering the Satirical Operetta of the Weimar Era

Alan Lareau
pp. 9-31
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Brazilian Black Theatre: A Political Theatre Against Racism

Christine Douxami
pp. 32-51
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Funmilayo Ranco: Feminist Self-Assertion in Late-20th-Century Yoruba Traveling Theatre

Ngozi Udengwu
pp. 52-63
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Peepshow, Death Camp, Art Gallery: The Spaces of Pasolini's Salò and Mauri's Intellettuale

Olga V. Solovieva
pp. 64-82
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After Thought: Archiving Absence through a Practice-as-Research Production of Xiong Shiyi's Lady Precious Stream

Ashley Thorpe
pp. 83-99
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Postcolonial Curating: Insights from the Connexion Kin Performing Arts Festival

Rahel Leupin
pp. 100-124
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Intersections between Corporeal Performance and Distributed Digital Audiences: Casey Jenkins and Remediated Artistic Practice

Kim Barbour, Lisa Mansfield
pp. 125-140
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Critical Acts

The Hijra Clap in Neoliberal Hands: Performing Trans Rights in Pakistan

Claire Pamment
pp. 141-151
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Queer As a Verb: Critical Reflections on the Explode! queer dance festival

Janet Werther
pp. 151-158
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Books

Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra (review)

Katherine Zien
pp. 159-161
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Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez (review)

Kaitlin M. Murphy
pp. 161-163
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Comic Performance in Pakistan: The Bhānd by Claire Pamment (review)

Kareem Khubchandani
pp. 163-165
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Power, Legitimacy and the Public Sphere: The Iranian Taʿziyeh Theatre Ritual by Amin Sharifi Isaloo (review)

Kenneth Molloy
pp. 165-167
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The Off-Screen: An Investigation of the Cinematic Frame by Eyal Peretz (review)

Mohammad Mehdi Kimiagari
pp. 167-169
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Performing Unification: History and Nation in German Theater after 1989 by Matt Cornish (review)

David Barnett
pp. 169-171
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The Director's Prism: E.T.A. Hoffmann and the Russian Theatrical Avant-Garde By Dassia N. Posner (review)

Kathryn Mederos Syssoyeva
pp. 171-172
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The Russian Art of Movement 1920–1930 by Nicoletta Misler (review)

Karl Toepfer
pp. 173-175
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Trickster Theatre: The Poetics of Freedom in Urban Africa by Jesse Weaver Shipley, and: Yorùbá Performance, Theatre and Politics: Staging Resistance by Glenn Odom (review)

John Thabiti Willis
pp. 175-178
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More Books

More Books

Sarah Richter
pp. 178-181
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