In this Issue
TDR provides scholarship on performances and their social, economic and political contexts. With an emphasis on the experimental, avant-garde, intercultural and interdisciplinary, it covers dance theatre, performance art, popular entertainment, media, sports, rituals and performance in politics and everyday life.
published by
The MIT Pressviewing issue
Volume 63, Number 1, Spring 2019 (T241)Table of Contents

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View After Thought: Archiving Absence through a Practice-as-Research Production of Xiong Shiyi's Lady Precious Stream
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View Intersections between Corporeal Performance and Distributed Digital Audiences: Casey Jenkins and Remediated Artistic Practice
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View Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez (review)
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View Power, Legitimacy and the Public Sphere: The Iranian Taʿziyeh Theatre Ritual by Amin Sharifi Isaloo (review)
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View Performing Unification: History and Nation in German Theater after 1989 by Matt Cornish (review)
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View The Director's Prism: E.T.A. Hoffmann and the Russian Theatrical Avant-Garde By Dassia N. Posner (review)
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View Trickster Theatre: The Poetics of Freedom in Urban Africa by Jesse Weaver Shipley, and: Yorùbá Performance, Theatre and Politics: Staging Resistance by Glenn Odom (review)
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ISSN | 1531-4715 |
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Print ISSN | 1054-2043 |
Launched on MUSE | 2019-03-01 |
Open Access | No |
Copyright
Copyright © New York University and the Massachusetts Institute of Technology.