1. Images
  3. pp. i-iii
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  1. in the weeds
  2. Ryan D. Tacata
  3. p. 3
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  1. Announcements
  2. Richard Schechner
  3. p. 8
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  1. Hier irrt Goethe: Rediscovering the Satirical Operetta of the Weimar Era
  2. Alan Lareau
  3. pp. 9-31
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  1. Brazilian Black Theatre: A Political Theatre Against Racism
  2. Christine Douxami
  3. pp. 32-51
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  1. Funmilayo Ranco: Feminist Self-Assertion in Late-20th-Century Yoruba Traveling Theatre
  2. Ngozi Udengwu
  3. pp. 52-63
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  1. Peepshow, Death Camp, Art Gallery: The Spaces of Pasolini's Salò and Mauri's Intellettuale
  2. Olga V. Solovieva
  3. pp. 64-82
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  1. After Thought: Archiving Absence through a Practice-as-Research Production of Xiong Shiyi's Lady Precious Stream
  2. Ashley Thorpe
  3. pp. 83-99
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  1. Postcolonial Curating: Insights from the Connexion Kin Performing Arts Festival
  2. Rahel Leupin
  3. pp. 100-124
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  1. Intersections between Corporeal Performance and Distributed Digital Audiences: Casey Jenkins and Remediated Artistic Practice
  2. Kim Barbour, Lisa Mansfield
  3. pp. 125-140
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  1. The Hijra Clap in Neoliberal Hands: Performing Trans Rights in Pakistan
  2. Claire Pamment
  3. pp. 141-151
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  1. Queer As a Verb: Critical Reflections on the Explode! queer dance festival
  2. Janet Werther
  3. pp. 151-158
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  1. Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra (review)
  2. Katherine Zien
  3. pp. 159-161
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  1. Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez (review)
  2. Kaitlin M. Murphy
  3. pp. 161-163
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  1. Comic Performance in Pakistan: The Bhānd by Claire Pamment (review)
  2. Kareem Khubchandani
  3. pp. 163-165
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  1. Power, Legitimacy and the Public Sphere: The Iranian Taʿziyeh Theatre Ritual by Amin Sharifi Isaloo (review)
  2. Kenneth Molloy
  3. pp. 165-167
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  1. The Off-Screen: An Investigation of the Cinematic Frame by Eyal Peretz (review)
  2. Mohammad Mehdi Kimiagari
  3. pp. 167-169
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  1. Performing Unification: History and Nation in German Theater after 1989 by Matt Cornish (review)
  2. David Barnett
  3. pp. 169-171
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  1. The Director's Prism: E.T.A. Hoffmann and the Russian Theatrical Avant-Garde By Dassia N. Posner (review)
  2. Kathryn Mederos Syssoyeva
  3. pp. 171-172
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  1. The Russian Art of Movement 1920–1930 by Nicoletta Misler (review)
  2. Karl Toepfer
  3. pp. 173-175
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  1. Trickster Theatre: The Poetics of Freedom in Urban Africa by Jesse Weaver Shipley, and: Yorùbá Performance, Theatre and Politics: Staging Resistance by Glenn Odom (review)
  2. John Thabiti Willis
  3. pp. 175-178
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  1. More Books
  2. Sarah Richter
  3. pp. 178-181
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