In this Issue
Publishing since 1977, Indiana Theory Review provides a venue for creative and imaginative articles on music theory, a forum for the thoughtful exchange of ideas and directions in the field through letters and editorial comments, and an opportunity for review of books and periodicals dealing with a variety of music subjects. Formerly semiannual prior to volume 37, each annual peer-reviewed issue showcases the basic philosophy of sound scholarship and high quality performance as the hallmarks of superior music education. Indiana Theory Review is sponsored by Indiana University’s Jacobs School of Music, its Department of Music Theory, and the Graduate Theory Association.
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Indiana University Pressviewing issue
Volume 35, Numbers 1 & 2, Spring & Fall 2018Table of Contents
pp. 26-57
pp. 58-92
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View Performer Choice and Earle Brown's String Quartet (1965): The Formal and Aural Implications of Open Form
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Performer Choice and Earle Brown's String Quartet (1965): The Formal and Aural Implications of Open Form
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pp. 93-116
pp. 117-160
pp. 161-210
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View Modeling Analysis and the Musical Text Generation Process: An Analysis of Chopin's Prelude in B♭ Major, Op. 28, No. 21
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Modeling Analysis and the Musical Text Generation Process: An Analysis of Chopin's Prelude in B♭ Major, Op. 28, No. 21
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| ISSN | 2474-7777 |
|---|---|
| Print ISSN | 0271-8022 |
| Launched on MUSE | 2019-02-22 |
| Open Access | No |
