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In this Issue

Table of Contents

  1. "It's a Fake!": Early and Late Incredulous Viewers, Trick Effects, and CGI
  2. Lisa Bode
  3. pp. 1-21
  4. DOI: https://doi.org/10.2979/filmhistory.30.4.01
  5. restricted access
  1. "It's Only Convincing If They Say It Is": Documenting Civil Rights Progress in the USIA's Nine from Little Rock
  2. Erin Krutko Devlin
  3. pp. 22-47
  4. DOI: https://doi.org/10.2979/filmhistory.30.4.02
  5. restricted access
  1. Lobbyology and the Role of Lobby Spectacles in Silent-Film Exhibition
  2. Peter Graff
  3. pp. 48-83
  4. DOI: https://doi.org/10.2979/filmhistory.30.4.03
  5. restricted access
  1. "He Sees Now What He Looked Like": Soldier Spectators, Topical Films, and the Problem of Onscreen Representation during World War I
  2. Chris Grosvenor
  3. pp. 84-106
  4. DOI: https://doi.org/10.2979/filmhistory.30.4.04
  5. restricted access
  1. From Social Problem to Maternal Melodrama: The Lost Lynching Scene in John M. Stahl's Imitation of Life
  2. Kirsten M. Lew
  3. pp. 107-126
  4. DOI: https://doi.org/10.2979/filmhistory.30.4.05
  5. restricted access
  1. From Cage to Classroom: Animal Testing and Behaviorist Educational Film
  2. Benjamin Schultz-Figueroa
  3. pp. 127-154
  4. DOI: https://doi.org/10.2979/filmhistory.30.4.06
  5. restricted access

Recent Books in Film History

  1. The Berlin School and Its Global Contexts: A Transnational Art Cinema ed. by Marco Abel and Jaimey Fisher (review)
  3. p. 155
  4. restricted access
  1. Beyond Method: Stella Adler and the Male Actor by Scott Balcerzak (review)
  3. p. 156
  4. restricted access
  1. The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood by Nicholas Godfrey (review)
  3. p. 157
  4. restricted access
  1. The Story of Paul Terry and His Classic Cartoon Factory by W. Gerald Hamonic (review)
  3. p. 158
  4. restricted access
  1. Specters of Slapstick and Silent Film Comediennes by Maggie Hennefeld (review)
  3. p. 159
  4. restricted access
  1. Hitler and Film: The Führer's Hidden Passion by Bill Niven (review)
  3. p. 160
  4. restricted access
  1. Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan by Sean D. O'Reilly (review)
  3. p. 161
  4. restricted access
  1. Fashion, Film, and the 1960s ed. by Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (review)
  3. p. 162
  4. restricted access
  1. Palestinian Cinema in the Days of Revolution by Nadia Yaqub (review)
  3. p. 163
  4. restricted access