In this Issue
Film History focuses on the historical development of the motion picture and the social, technological, and economic context in which this has occurred. Its areas of interest range from the technical and entrepreneurial innovations of the early and pre-cinema experiments, through all aspects of the production, distribution, exhibition, and reception of commercial and non-commercial motion pictures.
published by
Indiana University Pressviewing issue
Volume 30, Number 4, Winter 2018Table of Contents

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View "It's Only Convincing If They Say It Is": Documenting Civil Rights Progress in the USIA's Nine from Little Rock
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View "He Sees Now What He Looked Like": Soldier Spectators, Topical Films, and the Problem of Onscreen Representation during World War I
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View From Social Problem to Maternal Melodrama: The Lost Lynching Scene in John M. Stahl's Imitation of Life
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Recent Books in Film History

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View The Berlin School and Its Global Contexts: A Transnational Art Cinema ed. by Marco Abel and Jaimey Fisher (review)
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View The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood by Nicholas Godfrey (review)
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View Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan by Sean D. O'Reilly (review)
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View Fashion, Film, and the 1960s ed. by Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (review)
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ISSN | 1553-3905 |
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Print ISSN | 0892-2160 |
Launched on MUSE | 2019-02-20 |
Open Access | No |