1. "It's a Fake!": Early and Late Incredulous Viewers, Trick Effects, and CGI
  2. Lisa Bode
  3. pp. 1-21
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  1. "It's Only Convincing If They Say It Is": Documenting Civil Rights Progress in the USIA's Nine from Little Rock
  2. Erin Krutko Devlin
  3. pp. 22-47
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  1. Lobbyology and the Role of Lobby Spectacles in Silent-Film Exhibition
  2. Peter Graff
  3. pp. 48-83
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  1. "He Sees Now What He Looked Like": Soldier Spectators, Topical Films, and the Problem of Onscreen Representation during World War I
  2. Chris Grosvenor
  3. pp. 84-106
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  1. From Social Problem to Maternal Melodrama: The Lost Lynching Scene in John M. Stahl's Imitation of Life
  2. Kirsten M. Lew
  3. pp. 107-126
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  1. From Cage to Classroom: Animal Testing and Behaviorist Educational Film
  2. Benjamin Schultz-Figueroa
  3. pp. 127-154
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  1. The Berlin School and Its Global Contexts: A Transnational Art Cinema ed. by Marco Abel and Jaimey Fisher (review)
  2. p. 155
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  1. Beyond Method: Stella Adler and the Male Actor by Scott Balcerzak (review)
  2. p. 156
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  1. The Limits of Auteurism: Case Studies in the Critically Constructed New Hollywood by Nicholas Godfrey (review)
  2. p. 157
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  1. The Story of Paul Terry and His Classic Cartoon Factory by W. Gerald Hamonic (review)
  2. p. 158
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  1. Specters of Slapstick and Silent Film Comediennes by Maggie Hennefeld (review)
  2. p. 159
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  1. Hitler and Film: The Führer's Hidden Passion by Bill Niven (review)
  2. p. 160
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  1. Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan by Sean D. O'Reilly (review)
  2. p. 161
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  1. Fashion, Film, and the 1960s ed. by Eugenia Paulicelli, Drake Stutesman, and Louise Wallenberg (review)
  2. p. 162
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  1. Palestinian Cinema in the Days of Revolution by Nadia Yaqub (review)
  2. p. 163
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