1. From the Editors
  2. June Scudeler, Siobhan Senier
  3. pp. vii-viii
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  1. Water Is Life: Ecologies of Writing and Indigeneity
  2. Christina Boyles, Hilary E. Wyss
  3. pp. 1-9
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  1. Writing Water, Writing Life: Silko as Environmental Activist
  2. Christina Boyles
  3. pp. 10-35
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  1. Water, History, and Sovereignty in Simon J. Ortiz’s “Our Homeland, a National Sacrifice Area”
  2. Robin Riley Fast
  3. pp. 36-53
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  1. Mnisose/the Missouri River: A Comparative Literary Analysis of River Stories from the Lewis and Clark Expedition to the #NoDAPL Movement
  2. Sarah Hernandez
  3. pp. 72-95
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  1. Straight Talk: Two Spirit Erasure as the Price of Sovereignty in James Welch’s The Heartsong of Charging Elk
  2. Lydia R. Cooper
  3. pp. 96-120
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  1. “I Got This AB Original Soul/I Got This AB Original Flow”: Frank Waln, the Postmasculindian, and Hip Hop as Survivance
  2. Sarah Kent
  3. pp. 121-150
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  1. “This Story Needs a Witness”: The Imbrication of Witnessing, Storytelling, and Resilience in Lee Maracle’s Celia’s Song
  2. Laura J. Beard
  3. pp. 151-178
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  1. Revitalization Strategies in Gaspar Pedro González’s A Mayan Life
  2. Reginald Dyck
  3. pp. 179-199
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  1. Creative Alliances: The Transnational Designs of Indigenous Women’s Poetry by Molly McGlennen (review)
  2. Kenzie Allen
  3. pp. 200-201
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  1. California Mission Landscapes: Race, Memory, and the Politics of Heritage by Elizabeth Kryder-Reid (review)
  2. Shanae Aurora Martinez
  3. pp. 202-206
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  1. Curator of Ephemera at the New Museum for Archaic Media by Heid E. Erdrich (review)
  2. Molly McGlennen
  3. pp. 206-208
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