In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 39, Number 2, 2018Editorial Board
Editor
Kurt Eisen, Tennesse Tech University
Guest Co-Editor
Steven F. Bloom, Lasell College
Book Review Editors
Patrick Chura, University of Akron
J. Chris Westgate, California State University Fullerton
Performance Review Editors
Katie N. Johnson, Miami University
Alex Pettit, University of North Texas
Editorial Board
Judith E. Barlow, University at Albany, SUNY, emerita
Stephen A. Black, Simon Fraser University, emeritus
Steven F. Bloom, Lasell College
Zander Brietzke, Columbia University
Patrick Chura, University of Akron
Robert M. Dowling, Central Connecticut State University
Drew Eisenhauer, Lycée International Bossuet de Meaux
Eileen J. Herrmann, Dominican University
Bette Mandl, Suffolk University, emerita
Brenda Murphy, University of Connecticut
Laurin Porter, University of Texas, Arlington, emerita
Erika Rundle, Mt. Holyoke College
