1. A Note from the Guest Editor
  2. Cormac Newark
  3. pp. 113-125
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  1. Musical Sources and "Thereness": The Location of Inspiration in Cinematic Adaptations of Le Fantôme de l'Opéra
  2. Cormac Newark
  3. pp. 126-152
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  1. The Phantom of the Opera and the Performance of Cinema
  2. Giorgio Biancorosso
  3. pp. 153-167
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  1. ¡Viva la comedia musical!: Dramatizing Genre Porosity and Argentine Cosmopolitanism in El fantasma de la opereta (Carreras, 1955)
  2. Charlotte Gleghorn
  3. pp. 168-186
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  1. El Fantasma and Tin Tan: Genre Hybridity and Musical Nostalgia in Fernando Cortés's El Fantasma de la opereta (1959)
  2. Jacqueline Avila
  3. pp. 187-200
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  1. Deals with the Devil: Faust, Contracts, and the Dangers of Mechanical Reproduction in Brian De Palma's Phantom of the Paradise (1974)
  2. Annette Davison
  3. pp. 201-220
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  1. The Music of lí Fantasma dell'Opera by Dario Argento
  2. Roberto Calabretto, Cormac Newark
  3. pp. 221-241
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  1. Controlling Voices: Singing in Phantom Films
  2. John Snelson
  3. pp. 242-259
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  1. Corrigendum
  3. p. 260
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