In this Issue

Table of Contents

A Note from the Guest Editor

Cormac Newark
pp. 113-125
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Musical Sources and "Thereness": The Location of Inspiration in Cinematic Adaptations of Le Fantôme de l'Opéra

Cormac Newark
pp. 126-152
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The Phantom of the Opera and the Performance of Cinema

Giorgio Biancorosso
pp. 153-167
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¡Viva la comedia musical!: Dramatizing Genre Porosity and Argentine Cosmopolitanism in El fantasma de la opereta (Carreras, 1955)

Charlotte Gleghorn
pp. 168-186
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El Fantasma and Tin Tan: Genre Hybridity and Musical Nostalgia in Fernando Cortés's El Fantasma de la opereta (1959)

Jacqueline Avila
pp. 187-200
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Deals with the Devil: Faust, Contracts, and the Dangers of Mechanical Reproduction in Brian De Palma's Phantom of the Paradise (1974)

Annette Davison
pp. 201-220
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The Music of lí Fantasma dell'Opera by Dario Argento

Roberto Calabretto, Cormac Newark
pp. 221-241
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Controlling Voices: Singing in Phantom Films

John Snelson
pp. 242-259
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Corrigendum

p. 260
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