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Front Cover: Cover adapted by Joshua G. Steward from an illustration in Folk and Fairy Tales by Peter Christen Asbjørnsen (New York: A. C. Armstrong, 1883).

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Back Cover: Cover adapted by Joshua G. Steward from an illustration in Folk and Fairy Tales by Peter Christen Asbjørnsen (New York: A. C. Armstrong, 1883).

Studies in the Fantastic

In this Issue

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Transitional Gothic: Hammer's Gothic Revival and New Horror
Adam Charles Hart
pp. 1-21
DOI: https://doi.org/10.1353/sif.2018.0000

Like Clockwork: French Automatons in Life and Literature
W. Bradley Holley
pp. 22-38
DOI: https://doi.org/10.1353/sif.2018.0001

The Politics of Precarity in William Gibson's Bridge Trilogy
Bryan Yazell
pp. 39-69
DOI: https://doi.org/10.1353/sif.2018.0002

From The Day After to The 100: Nuclear Weapons on Television
Steven Holmes
pp. 70-94
DOI: https://doi.org/10.1353/sif.2018.0003

Creepy Atmospheres and Weird Narration in The OA
Steen Ledet Christiansen
pp. 95-115
DOI: https://doi.org/10.1353/sif.2018.0004

Notes on the contributors
pp. 116-117
DOI: https://doi.org/10.1353/sif.2018.0005

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