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In this Issue

Becoming Brazil contributor interviews

Table of Contents

  1. List of Illustrations
  3. pp. i-12
  4. DOI: https://doi.org/10.1353/man.2018.0000
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  1. Editor's Note
  3. pp. vii-xi
  4. DOI: https://doi.org/10.1353/man.2018.0144
  5. restricted access
  1. Garopaba Mon Amour
  2. Caio Fernando Abreu, Jennifer Alexander
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/man.2018.0145
  5. restricted access
  1. Whale Fishing
  2. João Alphonsus, Darlene J. Sadlier
  3. pp. 5-10
  4. DOI: https://doi.org/10.1353/man.2018.0146
  5. restricted access
  1. Five Poems
  2. Flávio de Araújo, Rachel Morgenstern-Clarren
  3. pp. 11-15
  4. DOI: https://doi.org/10.1353/man.2018.0147
  5. restricted access
  1. Three Poems
  2. Carlito Azevedo, Sarah Rebecca Kersley
  3. pp. 16-29
  4. DOI: https://doi.org/10.1353/man.2018.0148
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  1. Seven Poems
  2. Bruna Beber, Sarah Rebecca Kersley
  3. pp. 31-35
  4. DOI: https://doi.org/10.1353/man.2018.0149
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  1. Burial of the Poor
  2. Brum Eliane, Diane Grosklaus Whitty
  3. pp. 36-38
  4. DOI: https://doi.org/10.1353/man.2018.0150
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  1. Two Poems
  2. Fabiano Calixto, Sarah Rebecca Kersley
  3. pp. 39-40
  4. DOI: https://doi.org/10.1353/man.2018.0151
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  1. Borderline, and: Seven Stories
  2. Marcílio França Castro, Heath Wing
  3. pp. 41-55
  4. DOI: https://doi.org/10.1353/man.2018.0152
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  1. Sunday Dress
  2. Ruth Ducaso, Sarah Rebecca Kersley
  3. p. 57
  4. DOI: https://doi.org/10.1353/man.2018.0153
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  1. Ana Davenga
  2. Conceiçăo Evaristo, David Brookshaw
  3. pp. 60-65
  4. DOI: https://doi.org/10.1353/man.2018.0154
  5. restricted access
  1. from Antitherapies
  2. Jacques Fux, Eric M. B. Becker
  3. pp. 66-77
  4. DOI: https://doi.org/10.1353/man.2018.0155
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  1. from The Darkest Of Places
  2. Milton Hatoum, Eric M. B. Becker
  3. pp. 79-99
  4. DOI: https://doi.org/10.1353/man.2018.0156
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  1. Three Poems
  2. Lêdo Ivo, Alexis Levitin
  3. pp. 101-102
  4. DOI: https://doi.org/10.1353/man.2018.0157
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  1. Three Poems
  2. Sarah Rebecca Kersley
  3. pp. 103-104
  4. DOI: https://doi.org/10.1353/man.2018.0158
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  1. Dead Time
  2. Henrique Yuichi Komatsu, Catherine V. Howard
  3. pp. 105-111
  4. DOI: https://doi.org/10.1353/man.2018.0159
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  1. from Desert
  2. Luis S. Krausz, Zoë A. Perry
  3. pp. 112-119
  4. DOI: https://doi.org/10.1353/man.2018.0160
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  1. Take It Easy, Brother!
  2. Nelson Maca, Sarah Rebecca Kersley
  3. pp. 120-121
  4. DOI: https://doi.org/10.1353/man.2018.0161
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  1. The Phoenix
  2. Salgado Maranhão, Alexis Levitin
  3. p. 123
  4. DOI: https://doi.org/10.1353/man.2018.0162
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  1. from The Dionti Family
  2. Alan Minas, David Brookshaw
  3. pp. 124-130
  4. DOI: https://doi.org/10.1353/man.2018.0163
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  1. from I'm Still Here
  2. Marcelo Rubens Paiva, Alison Entrekin
  3. pp. 131-138
  4. DOI: https://doi.org/10.1353/man.2018.0164
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  1. The Lonely Sailor
  2. José Luiz Passos, Lucy Greaves
  3. pp. 139-153
  4. DOI: https://doi.org/10.1353/man.2018.0165
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  1. Three Crônicas
  2. Antonio Prata, Katrina Dodson
  3. pp. 154-157
  4. DOI: https://doi.org/10.1353/man.2018.0166
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  1. From St. Bernardo
  2. Graciliano Ramos, Padma Viswanathan
  3. pp. 159-165
  4. DOI: https://doi.org/10.1353/man.2018.0167
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  1. Four Poems
  2. Flávia Rocha
  3. pp. 169-170
  4. DOI: https://doi.org/10.1353/man.2018.0168
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  1. Infamous
  2. João Guimarães Rosa, Steven Byrd
  3. pp. 171-174
  4. DOI: https://doi.org/10.1353/man.2018.0169
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  1. The Blockade, and: The Erstwhile Magician of Minhota Tavern, and: The Pyrotechnist Zacharias
  2. Murilo Rubião, Victor Meadowcroft
  3. pp. 175-189
  4. DOI: https://doi.org/10.1353/man.2018.0170
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  1. When the Earth Was Round
  2. José J. Veiga, Rahul Berys
  3. pp. 190-195
  4. DOI: https://doi.org/10.1353/man.2018.0171
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  1. About the Contributors
  3. pp. 196-202
  4. DOI: https://doi.org/10.1353/man.2018.0172
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  1. About the Photographers
  3. p. 203
  4. DOI: https://doi.org/10.1353/man.2018.0173
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  1. Permissions
  3. p. 204
  4. DOI: https://doi.org/10.1353/man.2018.0174
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