1. Editorial Comment: Post-Fact Performance
  2. E.J. Westlake
  3. pp. xi-xiii
  4. DOI: 10.1353/tj.2018.0088
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  1. Look to the Crisis Actors
  2. Meredith Conti
  3. pp. 439-441
  4. DOI: 10.1353/tj.2018.0092
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  1. The Latinx, Indigenous, and the Americas Graduate Class: Geography, Pedagogy, and Power
  2. Jon D. Rossini
  3. pp. 443-445
  4. DOI: 10.1353/tj.2018.0093
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  1. Syrian Theatre in Berlin
  2. Margaret Litvin
  3. pp. 447-450
  4. DOI: 10.1353/tj.2018.0094
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  1. (Re-)Documenting the Black Body in America
  2. Naila Ansari
  3. pp. 451-452
  4. DOI: 10.1353/tj.2018.0095
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  1. Protest Occupations and Thinking Tactically as a Democratic Practice
  2. Susanne Shawyer
  3. pp. 453-454
  4. DOI: 10.1353/tj.2018.0096
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  1. Deepfakes, Artificial Intelligence, and Some Kind of Dystopia: The New Faces of Online Post-Fact Performance
  2. John Fletcher
  3. pp. 455-471
  4. DOI: 10.1353/tj.2018.0097
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  1. Irritational Aesthetics: Reality Friction and Indecidable Theatre
  2. Tony Perucci
  3. pp. 473-498
  4. DOI: 10.1353/tj.2018.0098
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  1. Forms of Truth: Testimonio and Democracy in the Theatrical Lives of Bojayá
  2. Lisa Jackson-Schebetta
  3. pp. 499-517
  4. DOI: 10.1353/tj.2018.0099
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  1. The Numbers Don’t Lie: Performing Facts and Futures in FiveThirtyEight’s Probabilistic Forecasting
  2. Taylor Black
  3. pp. 519-538
  4. DOI: 10.1353/tj.2018.0100
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  1. Johannesburg Dance Umbrella: Thirty Years On (review)
  2. Catherine M. Cole
  3. pp. 539-542
  4. DOI: 10.1353/tj.2018.0101
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  1. Kaidan Project: Walls Grow Thin by Lisa Dring and Chelsea Sutton (review)
  2. Jessica Nakamura
  3. pp. 542-543
  4. DOI: 10.1353/tj.2018.0102
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  1. Dodo by Jeffrey Carpenter et al. (review)
  2. Shelby Brewster
  3. pp. 544-545
  4. DOI: 10.1353/tj.2018.0103
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  1. In Event of Moon Disaster by Stephanie DeMott et al. (review)
  2. Daniel Larlham
  3. pp. 545-547
  4. DOI: 10.1353/tj.2018.0104
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  1. {My Lingerie Play} by Diana Oh (review)
  2. Jieun Lee
  3. pp. 547-548
  4. DOI: 10.1353/tj.2018.0105
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  1. After by Andrew Schneider et al. (review)
  2. Matthew Clinton Sekellick
  3. pp. 549-550
  4. DOI: 10.1353/tj.2018.0106
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  1. Soft Goods by Karen Sherman, and: Group Therapy (review)
  2. Michelle Liu Carriger
  3. pp. 550-553
  4. DOI: 10.1353/tj.2018.0107
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  1. Field Guide by Rude Mechs (review)
  2. Miriam M. Chirico
  3. pp. 553-555
  4. DOI: 10.1353/tj.2018.0108
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  1. An Octoroon by Branden Jacobs-Jenkins (review)
  2. Jennifer Buckley
  3. pp. 555-557
  4. DOI: 10.1353/tj.2018.0109
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  1. Junk by Ayad Akhtar (review)
  2. Alisa Zhulina
  3. pp. 557-560
  4. DOI: 10.1353/tj.2018.0110
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  1. M. Butterfly by David Henry Hwang (review)
  2. Esther Kim Lee
  3. pp. 560-561
  4. DOI: 10.1353/tj.2018.0111
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  1. Oedipus El Rey by Luis Alfaro (review)
  2. Todd James Coulter
  3. pp. 561-563
  4. DOI: 10.1353/tj.2018.0112
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  1. Hamlet by William Shakespeare, and: Hamlet by William Shakespeare (review)
  2. David Román
  3. pp. 563-568
  4. DOI: 10.1353/tj.2018.0113
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  1. Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra (review)
  2. Marci R. McMahon
  3. pp. 569-570
  4. DOI: 10.1353/tj.2018.0114
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  1. Shakespeare’s Double Plays: Dramatic Economy on the Early Modern Stage by Brett Gamboa (review)
  2. Ann Thompson
  3. pp. 570-572
  4. DOI: 10.1353/tj.2018.0115
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  1. Comic Performance in Pakistan: The Bhānd by Claire Pamment (review)
  2. Fawzia Afzal-Khan
  3. pp. 572-573
  4. DOI: 10.1353/tj.2018.0116
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  1. Political Acts: Women in Northern Irish Theatre, 1921–2012 by Fiona Coleman (review)
  2. Mária Kurdi
  3. pp. 573-575
  4. DOI: 10.1353/tj.2018.0117
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  1. London’s West End Actresses and the Origins of Celebrity Charity, 1880–1920 by Catherine Hindson (review)
  2. Anna Andes
  3. pp. 575-576
  4. DOI: 10.1353/tj.2018.0118
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  1. Acting in the Academy: The History of Professional Actor Training in US Higher Education by Peter Zazzali (review)
  2. Ellen Margolis
  3. pp. 576-577
  4. DOI: 10.1353/tj.2018.0119
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  1. Stage Matters: Props, Bodies, and Space in Shakespearean Performance ed. by Annalisa Castaldo and Rhonda Knight (review)
  2. Fran Teague
  3. pp. 577-578
  4. DOI: 10.1353/tj.2018.0120
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  1. Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in His Plays and Poems by B. J. Sokol (review)
  2. Felicia Hardison Londré
  3. pp. 578-580
  4. DOI: 10.1353/tj.2018.0121
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  1. Greek Tragic Women on Shakespearean Stages by Tanya Pollard (review)
  2. Coppélia Kahn
  3. pp. 581-582
  4. DOI: 10.1353/tj.2018.0123
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  1. Books Received
  2. pp. 583-593
  3. DOI: 10.1353/tj.2018.0124
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  1. Index to Volume 70
  2. pp. 599-604
  3. DOI: 10.1353/tj.2018.0125
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  1. The Absence of the Other Flesh: The Dismissal of Black Lives on the US National Football League Field
  2. Naila Ansari
  3. pp. E-1-E-3
  4. DOI: 10.1353/tj.2018.0089
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  1. Model Talk: Transparency, Percent Prediction, and the 2018 FiveThirtyEight Election Forecast
  2. Taylor Black
  3. pp. E-4-E-7
  4. DOI: 10.1353/tj.2018.0090
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  1. The Sound of Silence: A Viewer’s Guide to Emma González’s March for Our Lives Speech
  2. Meredith Conti
  3. pp. E-8-E-11
  4. DOI: 10.1353/tj.2018.0091
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