1. Editor’s Note
  2. Helen Thomas
  3. pp. 1-4
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  1. Talking Politics of Contact Improvisation with Steve Paxton
  2. Royona Mitra
  3. pp. 5-18
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  1. From Totenmal to Trend: Wigman, Holm, and Theatricality in Modern Dance
  2. Elizabeth Kattner
  3. pp. 19-37
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  1. Katherine Dunham and Peronism: An Analysis of Dunham’s Tango (1954)
  2. Eugenia Cadús
  3. pp. 38-54
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  1. “Minimalist” Dance, Social Critique: Revisiting Yvonne Rainer and Steve Paxton’s 1963 Word Words
  2. Meredith Morse
  3. pp. 55-70
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  1. Activating Whiteness: Racializing the Ordinary in US American Postmodern Dance
  2. Rebecca Chaleff
  3. pp. 71-84
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  1. Dancing for the Nation: Ballet Diplomacy and Transnational Politics in Post-Apartheid South Africa
  2. Meryl Lauer
  3. pp. 85-98
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  1. Avoiding Capture
  2. Ramsay Burt
  3. pp. 99-119
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  1. Striking Beauty: A Philosophical Look at the Asian Martial Arts by Barry Allen (review)
  2. Brandon Shaw
  3. pp. 120-123
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  1. Big Deal: Bob Fosse and Dance in the American Musical by Kevin Winkler (review)
  2. Ray Miller
  3. pp. 123-126
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  1. Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow by Hannah Kosstrin (review)
  2. Mark Franko
  3. pp. 126-129
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  1. Books Received
  2. pp. 130-131
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  1. Call for Submissions
  2. pp. 132-134
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