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In this Issue

Table of Contents

  1. General Editor's Introduction
  2. Kathryn Prince
  3. pp. 565-566
  4. DOI: https://doi.org/10.1353/shb.2018.0057
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  1. OP PC or PAR RIP?
  2. Kevin A. Quarmby
  3. pp. 567-598
  4. DOI: https://doi.org/10.1353/shb.2018.0058
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  1. Lost and Found in Translation: Hybridity in Kurosawa's Ran
  2. Jessica Chiba
  3. pp. 599-633
  4. DOI: https://doi.org/10.1353/shb.2018.0059
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  1. Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"
  2. Elizabeth Zeman Kolkovich
  3. pp. 635-656
  4. DOI: https://doi.org/10.1353/shb.2018.0060
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  1. The Distribution and Ordering of Speeches and Shakespearean Revision
  2. Matt Vadnais
  3. pp. 657-686
  4. DOI: https://doi.org/10.1353/shb.2018.0061
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  1. As You Like It by Shakespeare's Globe (review)
  2. Meghan C. Andrews
  3. pp. 687-691
  4. DOI: https://doi.org/10.1353/shb.2018.0062
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  1. Hamlet by Shakespeare's Globe (review)
  2. Michael J. Collins
  3. pp. 691-695
  4. DOI: https://doi.org/10.1353/shb.2018.0063
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  1. Othello by Shakespeare's Globe (review)
  2. Gemma Miller
  3. pp. 695-699
  4. DOI: https://doi.org/10.1353/shb.2018.0064
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  1. The Two Noble Kinsmen by Shakespeare's Globe (review)
  2. Robbie Hand
  3. pp. 699-702
  4. DOI: https://doi.org/10.1353/shb.2018.0065
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  1. Emilia by Shakespeare's Globe (review)
  2. Eleanor Rycroft
  3. pp. 703-707
  4. DOI: https://doi.org/10.1353/shb.2018.0066
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  1. Teenage Dick by Ma-Yi Theater Company (review)
  2. Dan Venning
  3. pp. 707-711
  4. DOI: https://doi.org/10.1353/shb.2018.0067
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  1. The Traveling Theatre of Noh Poong-Chan by Moon Theatre (review)
  2. Yu Jin Ko
  3. pp. 711-715
  4. DOI: https://doi.org/10.1353/shb.2018.0068
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  1. The Winter's Tale by Elizabethan Theatre (review)
  2. Noel Sloboda
  3. pp. 715-719
  4. DOI: https://doi.org/10.1353/shb.2018.0069
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  1. King Lear by Royal Shakespeare Company (review)
  2. Stephanie Pietros
  3. pp. 719-722
  4. DOI: https://doi.org/10.1353/shb.2018.0070
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  1. Fixing Troilus & Cressida by Rude Mechs (review)
  2. Cason Murphy
  3. pp. 722-726
  4. DOI: https://doi.org/10.1353/shb.2018.0071
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  1. Henry V by Oregon Shakespeare Festival (review)
  2. Michael W. Shurgot
  3. pp. 727-730
  4. DOI: https://doi.org/10.1353/shb.2018.0072
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  1. The Rehearsal, Playing the Dane by Pan Pan Theatre Company (review)
  2. Emer McHugh
  3. pp. 731-734
  4. DOI: https://doi.org/10.1353/shb.2018.0073
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  1. Titus Andronicus by F. M. Kirby Shakespeare Theatre (review)
  2. Barbara Ann Lukacs
  3. pp. 734-737
  4. DOI: https://doi.org/10.1353/shb.2018.0074
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