1. Writing Against Type
  2. Marlon James
  3. pp. 10-13
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  1. Under Pressure
  2. Rianna Pauline Starheim
  3. pp. 14-15
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  1. Exile in White
  2. Ruxandra Guidi, Bear Guerra
  3. pp. 16-17
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  1. Omnipresence
  2. Ann Neumann, Elizabeth Felicella
  3. pp. 18-19
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  1. Vaqueros
  2. Michael Snyder
  3. pp. 20-21
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  1. The Final Act
  2. Jess Ruliffson
  3. pp. 22-27
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  1. Mere Virtuosity: Variations on a Slippery Idea
  2. Ben Ratliff
  3. pp. 28-35
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  1. The Male Glance
  2. Lili Loofbourow
  3. pp. 36-47
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  1. The Breakup Museum: Archiving the Way We Were
  2. Leslie Jamison
  3. pp. 72-85
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  1. The Humanity Notebooks: The Many Faces of an Urban Commute
  2. Chris Russell
  3. pp. 86-103
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  1. Drawing Water, and: History Lesson, and: Fosters Freeze
  2. David Tomas Martinez
  3. pp. 108-111
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  1. Revival of the Ice Canoe: Into the Lost History and Wild Delights of a Quebecois Sport
  2. Donovan Hohn, Johan Hallberg-Campbell
  3. pp. 112-129
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  1. Resembling Flowers Resembling Weeds, and: Of Being Sick and Tired, and: The Thoroughbred, and: My Nothings
  2. Ama Codjoe
  3. pp. 130-135
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  1. Fat Swim
  2. Emma Copley Eisenberg
  3. pp. 136-141
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  1. The Obituary
  2. Lulu Miller
  3. pp. 142-144
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  1. Trout
  2. Elizabeth Weld
  3. pp. 145-151
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  1. Seeker: Denis Johnson and the Literature of Last Things
  2. David L. Ulin
  3. pp. 152-157
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  1. A Literature Worth Loathing: What Makes Bad Readers Good
  2. Trevor Quirk
  3. pp. 158-163
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  1. The Journalist and the Masturbator: Nonfiction, Film, and the Unreliable Narrator
  2. Michelle Orange
  3. pp. 164-167
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  1. Culture vs. Civilization
  2. Gregory McNamee
  3. p. 168
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