1. Editor’s Note
  2. Rebecca Rovit
  3. pp. 1-4
  4. DOI: 10.1353/dtc.2018.0021
  5. restricted access View | Download |
  1. Reading Two Greek Refugee Plays in the Season of the Syrian Refugee Crisis
  2. Phillip Zapkin
  3. pp. 9-29
  4. DOI: 10.1353/dtc.2018.0022
  5. restricted access View | Download |
  1. Theatre of Operations / Operating Theatre: Militarist and Medical Theatrical Frames in Edward Bond’s Lear
  2. Warren Kluber
  3. pp. 31-50
  4. DOI: 10.1353/dtc.2018.0023
  5. restricted access View | Download |
  1. Between Theory and Practice: Tracing Improvisation with British Muslim Youth
  2. Asif Majid
  3. pp. 51-65
  4. DOI: 10.1353/dtc.2018.0024
  5. restricted access View | Download |
  1. From Refuge to Prison: The Self as Tragic Space in Gao Xingjian’s Plays Between Life and Death and The Death Collector
  2. Letizia Fusini
  3. pp. 67-87
  4. DOI: 10.1353/dtc.2018.0025
  5. restricted access View | Download |
  1. Ionesco’s Forgotten Plays: Meaning and Speech Acts in “The Niece-Wife” and “Bedlam Galore”
  2. Jeremy Ekberg
  3. pp. 89-104
  4. DOI: 10.1353/dtc.2018.0026
  5. restricted access View | Download |
  1. Comparative Modernist Performance Studies in the Context of the Postcolonial: A Not So Modest Reappraisal
  2. Nicole Winsor
  3. pp. 105-127
  4. DOI: 10.1353/dtc.2018.0027
  5. restricted access View | Download |
  1. On the Performance Front: US Theatre and Internationalism by Charlotte Canning (review)
  2. Vivian Appler
  3. pp. 131-133
  4. DOI: 10.1353/dtc.2018.0028
  5. restricted access View | Download |
  1. Acting in the Academy: The History of Professional Actor Training in US Higher Education by Peter Zazzali (review)
  2. Danny Devlin
  3. pp. 133-135
  4. DOI: 10.1353/dtc.2018.0029
  5. restricted access View | Download |
  1. Reader in Comedy: An Anthology of Theory & Criticism ed. by Magda Romanska, Alan Ackerman (review)
  2. Jennifer Goff
  3. pp. 136-138
  4. DOI: 10.1353/dtc.2018.0030
  5. restricted access View | Download |
  1. A Critical Companion to the American Stage Musical by Elizabeth L. Wollman (review)
  2. Jenna L. Kubly
  3. pp. 138-140
  4. DOI: 10.1353/dtc.2018.0031
  5. restricted access View | Download |
  1. Watching War on the Twenty-First Century Stage: Spectacles of Conflict by Clare Finburgh (review)
  2. Inga Meier
  3. pp. 142-145
  4. DOI: 10.1353/dtc.2018.0033
  5. restricted access View | Download |
  1. Separation Scenes: Domestic Drama in Early Modern England by Ann C. Christensen (review)
  2. Aoise Stratford
  3. pp. 145-147
  4. DOI: 10.1353/dtc.2018.0034
  5. restricted access View | Download |
  1. Books Received
  2. pp. 148-158
  3. DOI: 10.1353/dtc.2018.0035
  4. restricted access View | Download |