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In this Issue

Table of Contents

  1. 'After the Fashion of Spain': Music, Dance, and Identity in the Work of Francis Carter (1772–1773)
  2. María José de la Torre Molina
  3. pp. 323-351
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  1. 'Clear, Happy, and Naïve': Wilhelm Stenhammar's Music for As You Like It
  2. Leah Broad
  3. pp. 352-385
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  1. 'Shape, Form, Colour' . . . and Music: Abstraction, Meaning, and Nostalgia in 1960s Scottish Industrial Documentary
  2. Geoffrey Cox
  3. pp. 386-426
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  1. Presenting the Irreconcilable: Protest and Abstraction in Mathias Spahlinger's 'Ocean'
  2. Neil Thomas Smith
  3. pp. 427-446
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  1. Intentions in Theory and Practice
  2. Nina Penner
  3. pp. 448-469
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  1. The Scientia artis musice of Hélle Salomon: Teaching Music in the Late Thirteenth Century: Latin Text with English Translation and Commentary by Joseph Dyer (review)
  2. David Hiley
  3. pp. 471-472
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  1. The Anne Boleyn Music Book (Royal College of Music MS'1070) by Thomas Schmidt, David Skinner, and Katja Airaksinen-Monier (review)
  2. James Burke
  3. pp. 472-474
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  1. The Praise of Musicke, 1586: An Edition with Commentary by Hyun-Ah Kim (review)
  2. Katie Bank
  3. pp. 474-476
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  1. Early English Viols: Instruments, Makers and Music by Michael Fleming and John Bryan (review)
  2. Rachael Durkin
  3. pp. 477-478
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  1. J. S. Bach's Johannine Theology: The St John Passion and the Cantatas for Spring 1725 by Eric Chafe (review)
  2. Andreas Loewe
  3. pp. 479-481
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  1. Morality and Viennese Opera in the Age of Mozart and Beethoven by Martin Nedbal (review)
  2. Estelle Joubert
  3. pp. 481-483
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  1. Animation, Plasticity, and Music in Italy, 1770–1830 by Ellen Lockhart (review)
  2. Ditlev Rindom
  3. pp. 483-486
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  1. Varieties of Musical Irony: From Mozart to Mahler by Michael Cherlin (review)
  2. W. Dean Sutcliffe
  3. pp. 486-488
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  1. Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster ed. by Paul Watt, Derek B. Scott, and Patrick Spedding (review)
  2. Ian Newman
  3. pp. 488-490
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  1. Opera Acts: Singers and Performance in the Late Nineteenth Century by Karen Henson (review)
  2. Laura Protano-Biggs
  3. pp. 490-493
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  1. Mary Gladstone and the Victorian Salon: Music, Literature, Liberalism by Phyllis Weliver (review)
  2. Sophie Fuller
  3. pp. 493-495
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  1. Delius and Norway by Andrew J. Boyle (review)
  2. Jeremy Dibble
  3. pp. 495-497
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  1. 'Very Good for an American': Essays on Edward Mac-Dowell ed. by E. Douglas Bomberger (review)
  2. Deniz Ertan
  3. pp. 497-500
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  1. Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, Tan Dun by Yayoi Uno Everett (review)
  2. Amy Bauer
  3. pp. 500-502
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  1. Music Data Analysis: Foundations and Applications ed. by Claus Weihs et al. (review)
  2. Joshua Neumann
  3. pp. 502-504
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  1. Correspondence: To the Editors of 'Music & Letters'
  2. Jessie Ann Owens
  3. p. 505
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  1. The Westrup Prize
  3. p. 506
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  1. Recipients of 'Music & Letters' Awards
  3. p. 506
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  1. 'Music & Letters' Awards
  3. p. 509
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  1. Authors Of Articles In This Issue
  3. p. 509
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  1. Books Received
  3. p. 510
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