In this Issue

Table of Contents

'After the Fashion of Spain': Music, Dance, and Identity in the Work of Francis Carter (1772–1773)

María José de la Torre Molina
pp. 323-351
restricted access

'Clear, Happy, and Naïve': Wilhelm Stenhammar's Music for As You Like It

Leah Broad
pp. 352-385
restricted access

'Shape, Form, Colour' . . . and Music: Abstraction, Meaning, and Nostalgia in 1960s Scottish Industrial Documentary

Geoffrey Cox
pp. 386-426
restricted access

Presenting the Irreconcilable: Protest and Abstraction in Mathias Spahlinger's 'Ocean'

Neil Thomas Smith
pp. 427-446
restricted access

Intentions in Theory and Practice

Nina Penner
pp. 448-469
restricted access

The Scientia artis musice of Hélle Salomon: Teaching Music in the Late Thirteenth Century: Latin Text with English Translation and Commentary by Joseph Dyer (review)

David Hiley
pp. 471-472
restricted access

The Anne Boleyn Music Book (Royal College of Music MS'1070) by Thomas Schmidt, David Skinner, and Katja Airaksinen-Monier (review)

James Burke
pp. 472-474
restricted access

The Praise of Musicke, 1586: An Edition with Commentary by Hyun-Ah Kim (review)

Katie Bank
pp. 474-476
restricted access

Early English Viols: Instruments, Makers and Music by Michael Fleming and John Bryan (review)

Rachael Durkin
pp. 477-478
restricted access

J. S. Bach's Johannine Theology: The St John Passion and the Cantatas for Spring 1725 by Eric Chafe (review)

Andreas Loewe
pp. 479-481
restricted access

Morality and Viennese Opera in the Age of Mozart and Beethoven by Martin Nedbal (review)

Estelle Joubert
pp. 481-483
restricted access

Animation, Plasticity, and Music in Italy, 1770–1830 by Ellen Lockhart (review)

Ditlev Rindom
pp. 483-486
restricted access

Varieties of Musical Irony: From Mozart to Mahler by Michael Cherlin (review)

W. Dean Sutcliffe
pp. 486-488
restricted access

Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster ed. by Paul Watt, Derek B. Scott, and Patrick Spedding (review)

Ian Newman
pp. 488-490
restricted access

Opera Acts: Singers and Performance in the Late Nineteenth Century by Karen Henson (review)

Laura Protano-Biggs
pp. 490-493
restricted access

Mary Gladstone and the Victorian Salon: Music, Literature, Liberalism by Phyllis Weliver (review)

Sophie Fuller
pp. 493-495
restricted access

Delius and Norway by Andrew J. Boyle (review)

Jeremy Dibble
pp. 495-497
restricted access

'Very Good for an American': Essays on Edward Mac-Dowell ed. by E. Douglas Bomberger (review)

Deniz Ertan
pp. 497-500
restricted access

Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, Tan Dun by Yayoi Uno Everett (review)

Amy Bauer
pp. 500-502
restricted access

Music Data Analysis: Foundations and Applications ed. by Claus Weihs et al. (review)

Joshua Neumann
pp. 502-504
restricted access

Correspondence: To the Editors of 'Music & Letters'

Jessie Ann Owens
p. 505
restricted access

The Westrup Prize

p. 506
restricted access

Recipients of 'Music & Letters' Awards

p. 506
restricted access

'Music & Letters' Awards

p. 509
restricted access

Authors Of Articles In This Issue

p. 509
restricted access

Books Received

p. 510
restricted access