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In this Issue

Table of Contents

  1. Editors' Note
  3. pp. v-vi
  4. restricted access
  1. Special Guest Editor's Note: The Cry of Music
  2. Irving Goh
  3. pp. 1-7
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  1. Escaping Meaning, Escaping Music
  2. Claire Colebrook
  3. pp. 9-34
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  1. Parts to Sing Empty
  2. Carolyn Chen
  3. pp. 35-38
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  1. How to Make Hyperobject Sound Art: Occupying the Electromagnetic Field with the Firesign Theatre
  2. Jeremy Braddock, Timothy Morton
  3. pp. 39-68
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  1. Film Theory and Synchronization
  2. Joanna Bailie
  3. pp. 69-74
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  1. On Not Letting Sounds Be Themselves
  2. Holly Watkins
  3. pp. 75-98
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  1. Deconstructing the Grammatologies of Music: A Tool for Composing
  2. Fabien Lévy, Christopher Swithinbank
  3. pp. 99-105
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  1. Late Capitalism on Vinyl: Neoliberalism, Biopolitics, and Music
  2. Jeffrey R. Di Leo
  3. pp. 107-133
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  1. Liquid Chaos
  2. Ashley Fure
  3. pp. 135-140
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  1. Who Vibrates?
  2. Christopher Swithinbank
  3. pp. 141-164
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  1. The Breath of Sound
  2. Tatiana Catanzaro
  3. pp. 165-177
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  1. A Music Worthy of the Name: Or, Agamben's Museicology
  2. Naomi Waltham-Smith
  3. pp. 179-202
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  1. Variations on the Reprise
  2. Jean-Luc Nancy, Irving Goh
  3. pp. 203-239
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  1. Sketches of Moral Duress: On the Analytics of White Liberal Ethicality—Mediating Crisis in the U.S. National (Racial) Form
  2. Casey R. Goonan
  3. pp. 241-281
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  1. "Can the university stand for peace?": Omar Khadr, Higher Education, and the Question of Hospitality
  2. David L. Clark
  3. pp. 283-346
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  1. Contributors
  3. pp. 347-353
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