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Table of Contents

  1. Introduction: The Promise of Experimental Writing
  2. Tyler Bradway
  3. pp. 1-31
  4. DOI: https://doi.org/10.1353/lit.2019.0000
  5. restricted access
  1. Claudia Rankine's Don't Let Me Be Lonely, Infographic Maps, and Subject-System Identity in Contemporary Political thought
  2. Katherine Leveling
  3. pp. 32-66
  4. DOI: https://doi.org/10.1353/lit.2019.0001
  5. restricted access
  1. Weather Permitting: Shelley Jackson's Snow and the Ecopoetics of the Digital
  2. Paul Benzon
  3. pp. 67-95
  4. DOI: https://doi.org/10.1353/lit.2019.0002
  5. restricted access
  1. Different Substance, Different Form: Alejo Carpentier's Hemispheric American Modernism
  2. Aristides Dimitriou
  3. pp. 96-126
  4. DOI: https://doi.org/10.1353/lit.2019.0003
  5. restricted access
  1. Decolonial Developments: Participatory Politics and Experimental Poetics in Ferreira Gullar's Writing 1957–1975
  2. Rebecca Kosick
  3. pp. 127-150
  4. DOI: https://doi.org/10.1353/lit.2019.0004
  5. restricted access
  1. Fingerprinting: Imtiaz Dharker and the Antinomies of Migrant Subjectivity
  2. Filippo Menozzi
  3. pp. 151-178
  4. DOI: https://doi.org/10.1353/lit.2019.0005
  5. restricted access
  1. Experiment with Textual Materiality: Page, Author, and Medium in the Works of Steve Tomasula, Michael Martone, and Eduardo Kac
  2. Flore Chevaillier
  3. pp. 179-203
  4. DOI: https://doi.org/10.1353/lit.2019.0006
  5. restricted access
  1. Of Poodles, Mockingbirds, and Beetles: Gertrude Stein's Zoopoetics
  2. Ada Smailbegović
  3. pp. 204-242
  4. DOI: https://doi.org/10.1353/lit.2019.0007
  5. restricted access
  1. Goodbye to All That
  2. Nancy K. Miller
  3. pp. 243-253
  4. DOI: https://doi.org/10.1353/lit.2019.0008
  5. restricted access
  1. Essays in Experiment
  2. Mary Ann Caws
  3. pp. 254-256
  4. DOI: https://doi.org/10.1353/lit.2019.0009
  5. restricted access
  1. Introduction to Critical Forum: The Sonic Politics of Black Experimentalism
  2. Tyler Bradway
  3. pp. 257-259
  4. DOI: https://doi.org/10.1353/lit.2019.0010
  5. restricted access
  1. "Let the Madness in the Music Get to You": Poetic Possibilities from the Black Sonic Underground (or, "Sound Carries")
  2. Mecca Jamilah Sullivan
  3. pp. 260-268
  4. DOI: https://doi.org/10.1353/lit.2019.0011
  5. restricted access
  1. "The Unclean Break": Re-Imagining the Sound of Hip-Hop
  2. James Edward Ford III
  3. pp. 269-274
  4. DOI: https://doi.org/10.1353/lit.2019.0012
  5. restricted access
  1. "After It Happened There Seemed to Be a Pause, Then the Fear Was Everywhere": On Carter Mathes's Sonic Genres of Resistance
  2. Sonya Posmentier
  3. pp. 275-280
  4. DOI: https://doi.org/10.1353/lit.2019.0013
  5. restricted access
  1. Sound, Aesthetics, and Black Time Studies
  2. Julius B. Fleming Jr.
  3. pp. 281-288
  4. DOI: https://doi.org/10.1353/lit.2019.0014
  5. restricted access
  1. Imagining Sound: On Carter Mathes's Experimental Reading Practice
  2. Tsitsi Jaji
  3. pp. 289-296
  4. DOI: https://doi.org/10.1353/lit.2019.0015
  5. restricted access
  1. And
  2. Ashon Crawley
  3. pp. 297-303
  4. DOI: https://doi.org/10.1353/lit.2019.0016
  5. restricted access