In this Issue

Table of Contents

Introduction: The Promise of Experimental Writing

Teagan Bradway
pp. 1-31
DOI: https://doi.org/10.1353/lit.2019.0000
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Claudia Rankine's Don't Let Me Be Lonely, Infographic Maps, and Subject-System Identity in Contemporary Political thought

Katherine Leveling
pp. 32-66
DOI: https://doi.org/10.1353/lit.2019.0001
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Weather Permitting: Shelley Jackson's Snow and the Ecopoetics of the Digital

Paul Benzon
pp. 67-95
DOI: https://doi.org/10.1353/lit.2019.0002
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Different Substance, Different Form: Alejo Carpentier's Hemispheric American Modernism

Aristides Dimitriou
pp. 96-126
DOI: https://doi.org/10.1353/lit.2019.0003
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Decolonial Developments: Participatory Politics and Experimental Poetics in Ferreira Gullar's Writing 1957–1975

Rebecca Kosick
pp. 127-150
DOI: https://doi.org/10.1353/lit.2019.0004
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Fingerprinting: Imtiaz Dharker and the Antinomies of Migrant Subjectivity

Filippo Menozzi
pp. 151-178
DOI: https://doi.org/10.1353/lit.2019.0005
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Experiment with Textual Materiality: Page, Author, and Medium in the Works of Steve Tomasula, Michael Martone, and Eduardo Kac

Flore Chevaillier
pp. 179-203
DOI: https://doi.org/10.1353/lit.2019.0006
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Of Poodles, Mockingbirds, and Beetles: Gertrude Stein's Zoopoetics

Ada Smailbegović
pp. 204-242
DOI: https://doi.org/10.1353/lit.2019.0007
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Goodbye to All That

Nancy K. Miller
pp. 243-253
DOI: https://doi.org/10.1353/lit.2019.0008
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Essays in Experiment

Mary Ann Caws
pp. 254-256
DOI: https://doi.org/10.1353/lit.2019.0009
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Introduction to Critical Forum: The Sonic Politics of Black Experimentalism

Teagan Bradway
pp. 257-259
DOI: https://doi.org/10.1353/lit.2019.0010
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"Let the Madness in the Music Get to You": Poetic Possibilities from the Black Sonic Underground (or, "Sound Carries")

Mecca Jamilah Sullivan
pp. 260-268
DOI: https://doi.org/10.1353/lit.2019.0011
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"The Unclean Break": Re-Imagining the Sound of Hip-Hop

James Edward Ford III
pp. 269-274
DOI: https://doi.org/10.1353/lit.2019.0012
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"After It Happened There Seemed to Be a Pause, Then the Fear Was Everywhere": On Carter Mathes's Sonic Genres of Resistance

Sonya Posmentier
pp. 275-280
DOI: https://doi.org/10.1353/lit.2019.0013
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Sound, Aesthetics, and Black Time Studies

Julius B. Fleming Jr.
pp. 281-288
DOI: https://doi.org/10.1353/lit.2019.0014
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Imagining Sound: On Carter Mathes's Experimental Reading Practice

Tsitsi Jaji
pp. 289-296
DOI: https://doi.org/10.1353/lit.2019.0015
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And

Ashon Crawley
pp. 297-303
DOI: https://doi.org/10.1353/lit.2019.0016
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