1. Letter from the Guest Editor
  2. Sean Lowry
  3. pp. 163-167
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  1. The Originality of Copies: Cover Versions and Versioning in Remix Practice
  2. Eduardo Navas
  3. pp. 168-187
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  1. Andy Warhol, Sarah Bernhardt, and the “Original Copy”
  2. Ilmar Taimre
  3. pp. 188-233
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  1. Uncovering the Unheard: A Multimedia Performance and Installation Inspired by Ophelia’s Drowning in William Shakespeare’s Hamlet
  2. Niki Tulk
  3. pp. 234-257
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  1. Beyoncé and the Frump: Cover-Versioning in Dance
  2. Pauline Manley
  3. pp. 258-284
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  1. Selective Historical Precedents in Appropriation as Cover Version
  2. Masato Takasaka
  3. pp. 285-302
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  1. Madame Midas (1888): One of Fergus Hume’s Attempts to Replicate Publishing Glory
  2. Rachel Franks
  3. pp. 303-323
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  1. Glocalization, Hard-won Status, and Performative Femininity: A Case Study of The Real Housewives Format
  2. Rosser Johnson, Rebecca Trelease
  3. pp. 324-341
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  1. Political Representation in Slavoj Žižek’s Antigone and Marvel Studio’s Black Panther by Slavoj Žižek (review)
  2. Aleksandr Andreas Wansbrough
  3. pp. 342-353
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  1. The Early Years 1965–1972 by Pink Floyd (review)
  2. Jonathan McBurnie
  3. pp. 353-356
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