1. Liminalidad, comunidad y carnaval en Adiós, Ayacucho de Yuyachkani
  2. Giosuè Alagna
  3. pp. 5-24
  4. DOI: 10.1353/ltr.2018.0031
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  1. Las zonas grises del habla política: desmontajes sobre Discurso de Guillermo Calderón
  2. Mauricio Barría Jara
  3. pp. 25-42
  4. DOI: 10.1353/ltr.2018.0023
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  1. Acerca de lo político y lo histórico en el teatro documental contemporáneo: algunas experiencias de Argentina y Chile
  2. Pamela Brownell
  3. pp. 43-64
  4. DOI: 10.1353/ltr.2018.0024
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  1. Borderline Technologies: "Bear Life" and Cyborg Theatre in the Work of Alejandro Ricaño
  2. David S. Dalton
  3. pp. 65-82
  4. DOI: 10.1353/ltr.2018.0025
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  1. Migrant Bodies, Flowing Rituals: The Performance Art of Violeta Luna
  2. Paola Marín
  3. pp. 83-100
  4. DOI: 10.1353/ltr.2018.0026
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  1. El puro lugar de la violencia: docufricción escénica en la ciudad de Xalapa, Veracruz
  2. Antonio Prieto Stambaugh
  3. pp. 125-148
  4. DOI: 10.1353/ltr.2018.0028
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  1. La obra del CUT (Adelanto del libro) Escena 2 (1973-77)
  2. Luis Mario Moncada, Martha Rodríguez Mega
  3. pp. 149-166
  4. DOI: 10.1353/ltr.2018.0030
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  1. El FIT de Cádiz y la edición que viene (entrevista con Pepe Bablé)
  2. Enrique Mijares
  3. pp. 167-172
  4. DOI: 10.1353/ltr.2018.0029
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  1. Entrevista a Edgar Chías
  2. Alfonso Varona
  3. pp. 173-188
  4. DOI: 10.1353/ltr.2018.0032
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  1. Mexico City's October 2017 Theatre Season, with a Bonus Performance in Querétaro
  2. Timothy G. Compton
  3. pp. 189-202
  4. DOI: 10.1353/ltr.2018.0033
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  1. Spectacles of Disappearance: Migration, Man, and Machine
  2. Joshua L. Truett
  3. pp. 207-214
  4. DOI: 10.1353/ltr.2018.0035
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  1. Palabras jamás comunes: José Triana (1931-2018)
  2. Kirsten F. Nigro
  3. pp. 215-218
  4. DOI: 10.1353/ltr.2018.0036
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  1. Memory, Transitional Justice, and Theatre in Postdictatorship Argentina by Noe Montez (review)
  2. Jean Graham-Jones
  3. pp. 219-220
  4. DOI: 10.1353/ltr.2018.0037
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  1. Diseccionar los laureles: Los premios dramáticos de la Revolución Cubana (1959-1976) by Emilio Gallardo Saborido (review)
  2. Bretton White
  3. pp. 220-222
  4. DOI: 10.1353/ltr.2018.0038
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  1. Theater and Cartographies of Power: Repositioning the Latino/a Americas eds. by Jimmy A. Noriega and Analola Santana (review)
  2. Alexandra Ripp
  3. pp. 222-223
  4. DOI: 10.1353/ltr.2018.0039
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  1. The Borders of Dominicanidad: Race, Nation, and Archives of Contradiction by Lorgia García-Peña (review)
  2. Ian Russell
  3. pp. 223-225
  4. DOI: 10.1353/ltr.2018.0040
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  1. The Theater of Revisions in the Hispanic Caribbean by Katherine Ford (review)
  2. Camilla Stevens
  3. pp. 226-227
  4. DOI: 10.1353/ltr.2018.0041
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  1. Theatrical Topographies. Spatial Crises in Uruguayan Theater Post-2001 by Sarah M. Misemer (review)
  2. Paola Ehrmantraut
  3. pp. 227-229
  4. DOI: 10.1353/ltr.2018.0042
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  1. Festival de Teatro Nuevo León 2018. 20 Aniversario
  2. p. 230
  3. DOI: 10.1353/ltr.2018.0043
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