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Table of Contents

  1. Editors’ Foreword
  2. Donald Crafton, Susan Ohmer
  3. pp. vi-viii
  4. DOI: https://doi.org/10.5749/movingimage.18.1.00vi
  5. restricted access
  1. “Why I Am Ashamed of the Movies”: Editorial Policy, Early Hollywood, and the Case of Camera!
  2. Peter Lester
  3. pp. 48-66
  4. DOI: https://doi.org/10.5749/movingimage.18.1.0048
  5. restricted access
  1. Under Threat: One Archive’s Tale from the 2017 Napa and Sonoma County Fires
  2. James Mockoski, Courtney Garcia
  3. pp. 67-75
  4. DOI: https://doi.org/10.5749/movingimage.18.1.0067
  5. restricted access
  1. RKO’s Studio Archive: The Golden Years
  2. Anthony Slide, Richard Jewell, Robert Carringer
  3. pp. 75-80
  4. DOI: https://doi.org/10.5749/movingimage.18.1.0075
  5. restricted access
  1. Building a Crowdsourcing Platform for the Analysis of Film Colors
  2. Barbara Flueckiger, Gaudenz Halter
  3. pp. 80-83
  4. DOI: https://doi.org/10.5749/movingimage.18.1.0080
  5. restricted access
  1. A Deal with the Devil: Bill Morrison on Dawson City: Frozen Time
  2. Donald Crafton, Bill Morrison
  3. pp. 92-103
  4. DOI: https://doi.org/10.5749/movingimage.18.1.0092
  5. restricted access
  1. Treasures from the Library of Congress (review)
  2. Richard Lewis Ward
  3. pp. 104-107
  4. restricted access